A Port William Novel

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides listeners through the process of Nathan's grief, endearing the listener to the simple humanity through which Nathan views the world.

As part of Counterpoint's celebration of beloved American author Wendell Berry comes this reissue of his 1986 classic, The Wild Birds: Six Stories of the Port William Membership. Those stories include "Thicker Than Liquor," "Where Did They Go?," "It Wasn't Me," "The Boundary," "That Distant Land," and the titular "The Wild Birds." Spanning more than three decades, from 1930 to 1967, these wonderful stories follow Wheeler Catlett, and reintroduce listeners to the beloved people who live in Berry's fictional town of Port William, Kentucky.

It is 1976 and Andy Catlett, farmer and agricultural journalist, is walking the streets of San Francisco at dawn. In the eight months since losing his right hand to a corn-picking machine, he has also lost himself. Two thousand miles from his home in Kentucky, he begins to remember people, the land, and the comfort of knowing his place intimately. Andy's reveries evoke a membership governed by the principles of humanity and love.

It is the summer of 1944, and nine-year-old Andy Catlett is engrossed in the wide easy countryside near Port William, Kentucky. But sadness, loss, and mystery invade Andy's world on a hot July afternoon when his Uncle Andrew is murdered.

Surrounded by his friends and neighbors, he is both participant and witness as the community attempts to transcend its own decline. And meanwhile Jayber learns the art of devotion and that a faithful love is its own reward.

In the latest installment in Wendell Berry's long story about the citizens of Port William, Kentucky, listeners learn of the Coulters' children, of the Feltners and Branches, and how survivors "live right on." Life carried on for the community of Port William, Kentucky, as some boys returned from the war while the lives of others were mourned. In her seventies, Nathan’s wife, Hannah, now has time to tell of the years since the war.

Nine years old, Andy embarks on the trip by bus, alone for the first time. He decides it will be a rite of passage and his first step into manhood. Sometimes a handful at home, Andy was a good boy when visiting his Grandparents’ houses, and he looked forward to the little spoiling certain to come his way.

For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs's widow, Beulah, attends the auction as her home place is offered for sale.

That Distant Land collects 23 stories, interlinked with each other and with the other published "Port William" novels. The stories, arranged in their fictional chronology (from 1888 to almost the present day), become one sustained work, a new novel that spans the entire life and time involved. The range of this book is extraordinary - it offers rest for the weary, hope for the beleaguered, and strength for everyone else.

For those readers of his poetry and inspired by his increasingly vital work as advocate for rational land use and the right-size life, these stories of Wendell Berry's offer entry into the fictional place of value and beauty that is Port William, Kentucky. Berry has said it's taken a lifetime for him to learn to write like an old man, and that's what we have here, stories told with grace and ease and majesty. Wendell Berry is one of our greatest living American authors, writing with the wisdom of maturity and the incandescence that comes of love.

Andy Catlett's story begins as his grandfather Marce Catlett rises in the dark to travel from his farm by horseback and train to Louisville for the auction of his 1906 tobacco crop. The price paid for each year's crop has been depressed to virtually nothing by the power of a single buyer, James B. Duke. This year is especially grim since the price offered to each grower is less than the expense of bringing the crop to market. A year's labor is lost.