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WEH Oxford

De: Wellcome Centre for Ethics & Humanities
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Episodios
  • The Museum of Revelatory Fakes (MoRF) | 05 M Poliakoff on D Jones
    Mar 28 2023
    Sociologist PATRICIA KINGORI, Professor of Global Health Ethics at the WELLCOME CENTRE FOR ETHICS & HUMANITIES (ETHOX), UNIVERSITY OF OXFORD (www.ndph.ox.ac.uk/team/patricia-kingori) in conversation with British chemist PROFESSOR SIR MARTYN POLIAKOFF (royalsociety.org/people/martyn-poliakoff-12107/) about his friendship with physical chemist and writer DAVID JONES (www.theguardian.com/science/2017/au…-jones-obituary), famous for his spoof ‘Daedalus’ columns for the New Scientist and developer of a 'fake' perpetual motion machine, whose secret David Jones – tantalisingly - never revealed. MoRF is an exciting collaboration between ETHOX (www.ethox.ox.ac.uk) and award-winning visual and conceptual artist AL HOPWOOD (www.arhopwood.com/morf), with support from TORCH, THE OXFORD RESEARCH CENTRE IN THE HUMANITIES (www.torch.ox.ac.uk). MUSIC: Bela Bartok, Sonata for Solo Violin, BB 124: Fuga, performed by Gyorgy Pauk, and licensed courtesy of Naxos Music UK. PODCAST COVER: Al Hopwood (www.arhopwood.com/morf)
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    38 m
  • The Museum of Revelatory Fakes (MoRF) | 04 On Rose Mackenberg
    Mar 28 2023
    Sociologist PATRICIA KINGORI, Professor of Global Health Ethics at the WELLCOME CENTRE FOR ETHICS & HUMANITIES (ETHOX), UNIVERSITY OF OXFORD (www.ndph.ox.ac.uk/team/patricia-kingori) joins EFRAM SERA-SHRIAR (Associate Professor of English Studies, UNIVERSITY OF COPENHAGEN www.eframserashriar.com/), PROFESSOR CHRISTINE FERGUSON (Chair in English Studies, UNIVERSITY OF STIRLING www.stir.ac.uk/people/257490), and MATT TOMPKINS (post-doctoral researcher, Choice Blindness Laboratory, UNIVERSITY OF LUND bit.ly/42rbdht) to discuss the work of colourful American investigator ROSE MACKENBERG, who worked with HARRY HOUDINI in the 1920s to expose spiritualist fraud. MoRF is an exciting collaboration between ETHOX (www.ethox.ox.ac.uk) and award-winning visual and conceptual artist AL HOPWOOD (www.arhopwood.com/morf), with support from TORCH, THE OXFORD RESEARCH CENTRE IN THE HUMANITIES (www.torch.ox.ac.uk). MUSIC: Bela Bartok, Sonata for Solo Violin, BB 124: Fuga, performed by Gyorgy Pauk, and licensed courtesy of Naxos Music UK. PODCAST COVER: Al Hopwood (www.arhopwood.com/morf)
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    41 m
  • The Museum of Revelatory Fakes (MoRF) | 03 S Cahalan
    Mar 28 2023
    Sociologist PATRICIA KINGORI, Professor of Global Health Ethics at the WELLCOME CENTRE FOR ETHICS & HUMANITIES (ETHOX), UNIVERSITY OF OXFORD (www.ndph.ox.ac.uk/team/patricia-kingori) in conversation with award-winning American journalist SUSANNAH CAHALAN (www.susannahcahalan.com/), author of THE GREAT PRETENDER about American psychologist DAVID ROSENHAN's influential 1973 study, ON BEING SANE IN INSANE PLACES. The study used pseudopatients to challenge the process of psychiatric diagnosis. Susannah herself was misdiagnosed with a mental illness, which she documented in BRAIN ON FIRE: MY MONTH OF MADNESS (www.susannahcahalan.com/work-1), and so was well-placed to investigate. MoRF is an exciting collaboration between ETHOX (www.ethox.ox.ac.uk) and award-winning visual and conceptual artist AL HOPWOOD (www.arhopwood.com/morf), with support from TORCH, THE OXFORD RESEARCH CENTRE IN THE HUMANITIES (www.torch.ox.ac.uk). MUSIC: Bela Bartok, Sonata for Solo Violin, BB 124: Fuga, performed by Gyorgy Pauk, and licensed courtesy of Naxos Music UK. PODCAST COVER: Al Hopwood (www.arhopwood.com/morf)
    Más Menos
    41 m
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