This one was grueling for reasons we had not anticipated nor could we have imagined. The debate as to which movie we disliked more is one we were not expecting. Erotic degeneracy versus a monotonous impassivity, who comes out on the bottom?

Join us in two weeks as we talk about The Manchurian Candidate and its 2004 remake!

One of these films was dashing through the snow and far more charming and suave than the other more perplexing, one-dimensional choice. The real question is which angel swooned us harder, and that answer may be less obvious.

Join us next time as we (we swear this time) watch Going Places (1974) and The Jesus Rolls!

Shhh, can you hear that? Listen closely. Yeah, that's what I thought it was. It's the sound of The Worst Critics discovering a newly certified banger. Which take was the subtle, gripping banger and which was the overly complex, more stilted approach? Everything is in the audio, so listen up as we prattle on about these two films.

Join us in two weeks for our reviews of Going Places (1974) and its remake The Jesus Rolls!

Three movies enter, and well, three movies leave. In the first ever 3-parter, we decide whether or not these movies deserve to be lost and forgotten in their prime or thrust back into the spotlight with a fresh perspective. Which of the three are shining lights and which are crude, hardheaded attempts at a story.

Join us in two weeks as we give our thoughts on the Danish film, The Guilty, and its 2021 American remake!

Raging current or tepid drips? Is the older film too draining and the new one too irresistible? Or is the old one nuanced and the new one an ill-fated fling? Join us as we take a dive under the surface of the erotic movie genre and bask in the heat.

Join us in THREE weeks, yes, three, not two, THREE weeks when we review A Star is Born (1937), its 50s version and its 70s version. Don't worry, we've seen the Cooper/Gaga version.

Is the remake haunted by a ghost of the past? Could a remake ever live up to a movie as acclaimed and influential as the original film? Was Hitchcock outdone or does his spirit linger about and never allow the retelling room to breathe? See which one we preferred in the latest episode of Reboot or Deboot!

Join us in two weeks' time as we review La Piscine (1969) and its modern retelling A Bigger Splash (2015).

Sabrina Fair,

Thou art a great movie

Under a quick witted, cool screenplay

But which version was the solid, smart, and sharp suitor and which one was the vapid, foolish, and overly simple suitor? Who was the David and who was the Linus? Did we have as wonderful a time as Sabrina did or were we left out to dry like Elizabeth was? Listen now to find out our choice of bachelor... I mean movie.

Join us in two weeks when we review Rebecca (1940) and its 2020 remake!

We loved both. No, we hated both. Hold on, we hated one and loved the other. I misremembered, we just loved one and hated the other. Actually, I lied, we loved them both. But really, we hated them both. Confession was definitely a certified reboot. Wait, it was totally a deboot. John enjoyed Confession more, or was it The Invisible Guest? Or was that Noah who said that? Did we even agree on our assessment? Which train of thought is the real one? Which one did we appreciate more? Was either one even a reboot? Did we watch them at all? All I know is we clearly liked the one with the blue color palette.

Join us next time as we talk about Sabrina (1954) and Sabrina (1995)!