Ron Moore-- writer and producer of Star Trek TNG and DS9, Battlestar Galactica, and Outlander, among others — is in the studio with Adam to talk about the impact the early NASA shuttle launches had on him; how a set tour got him a seat on The Enterprise; and how he went from attending Star Trek Conventions as a fan, to attending them as a star.

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Afro-mysticism, 3rd world technology and science fiction, blend together in the world of Nnedi Okorafor as she sits with Adam to talk about her scifi guilty pleasures, how a trash compactor monster became her muse and why the world of literary academia still sees science fiction as a lesser genre.

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Transhumanist philosopher Natasha Vita-More chats with Adam and explains what transhumanism means for us regular humans, how it will impact the evolution of humanity, and close we are to uploading our brains into databases, ensuring our immortality.

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John Knoll, Chief Creative Officer of Industrial Light and Magic and visual effects legend, sits down with Adam and reveals how he cold called his way into LucasFilm, and how he had to be talked into pitching an idea he had, which ultimately became Rogue One.

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Kevin Smith, writer and director of Clerks, Mallrats, Dogma, and Tusk sits down with Adam fan to fan to obsess over Planet of the Apes reruns, Star Wars action figures and why science fiction is his personal moral compass.

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Futurama Creator and showrunner, David X. Cohen, talks to Adam about abandoning his noble scientific pursuits for sci-fi comedy; how comedy and space best mix; and why a curmudgeonly drunken robot might be the most human character of all.

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Nerdist Founder and Talking Dead Host, Chris Hardwick, joins Adam to dissect where hipster and nerd converge, his emotional attachment to the science fiction community, and how his run in with Mel Brooks led to his most cherished piece of memorabilia.

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Doug Chiang, Executive Creative Director of Lucasfilm, joins Adam to tell us what it’s like designing spaceships for Star Wars: the biggest universe in science fiction; where he draws inspiration from; and how the production methodologies are rapidly changing.

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