“Pluck” is the word that comes to mind when I think of Nanci Griffith and her music. In terms of stature, Nanci can be described as diminutive, or perhaps petite is a better, if overused, description. Ironically, the essence of Nanci Griffith is anything but small. She imbued her songs with a crystal clear, powerful voice and confident stage presence. In her simple way, Griffith is remembered as a giant among country and folk singer/songwriters.

With twenty-four albums released from 1978 to 2002, Griffith has left a lasting impression on an art form she once described as “folkabilly.” Nanci’s music merges the elegant folk of her early years with the folk-rock of her later years.

I’ve covered many of Nanci’s songs on this blog, including this latest, “Trouble In The Fields.” It’s a penetrating and beautiful song inspired by Griffith’s recollections of her great-grandparents’ struggles with drought and hard economic times during the 1930s. “Trouble In The Fields” is dedicated to Nanci’s great aunt and uncle, Nettie Mae and Tootie, farmers for eighty years near Lubbock, Texas.

Here’s my cover.

There is beauty within us. There is beauty everywhere in the world. All we have to do is to want to feel it and see it.

Even in the midst of darkness, this is the dawn of a new age. It may be difficult to believe or see it, but it’s happening. Nothing can deny us our destiny in love. Not doubt. Not ignorance. Not fear.

Some of us are at the forefront of this new world. Kate Wolf was one of these visionaries. I’m a great admirer of her work and her music.

Here’s my cover of “Brother Warrior.”

In a 2009 interview, Cat Stevens (by then Yusuf Islam) is quoted as saying: “I was on holiday in Spain. I was a kid from the West End of London--I never got to see the moon on its own. In the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool; I’d never seen it before.”

The song is about finding hope in any situation, of being present and joyful. With the simplicity and joy of a child, Stevens writes about seeing life as it is in the moment, without comparing it to others’ lives or other times in an individual’s life.

Moonshaw is a beautiful song expressing the idea that every moment in life is rich and unique. Whether we are aware of it or not, Stevens is saying, we are always “leaping and hopping on a Moonshadow” every second of our existence. He cautions against being too wrapped up in our worries and concerns about what could be or what has been, and consequently missing the richness of life as it is.

Here’s my cover played in the artist’s style.

On a musical tour of the Western United States, Gordon Lightfoot discovered a highway sign that read, "Carefree Highway." The words on the sign led Gordon to write a song about a carefree lifestyle and a lost love.

Ligtfoot put the lyrics away in the glove compartment of his car. Eight months later, Gordon wrote the music for "Carefree Highway" after almost forgetting about the song. Wouldn't you know that the song became one of Lightfoot's biggest hits?

Here's my cover.

Tom Paxton released "The Last Thing On My Mind" in 1964 on his album, Ramblin' Boy." The inspiration for the song came from Dave Van Ronk and Bob Dylan's versions of "He Was A Friend of Mine." This lost love ballad became one of Paxton's biggest hits. He is also known for his protest songs against the Vietnam War and other social injustices. (What Did You Learn In School Today?)

"The Last Thing On My Mind" was one of the first songs I learned some forty years ago when I started playing the guitar. This is the first time I've released my cover publicly. The themes of the song include friendship, loss, and the passage of time. Here's my cover.

John Fogerty wrote "Have You Ever Seen The Rain" about his brother, Tom Fogerty, who left Creedence Clearwater Revival in 1971 at the apex of the band's popularity. The departure of his brother was a sad time for John Fogerty. Eventually, the hurt healed, and the meaning of the song changed for John. In his own words, "This song was originally written about a very sad thing that was going on in my life. But I refuse to be sad now. These days, this song reminds me of my little girl, Kelsy, and every time I sing it, I think about Kelsy and rainbows.

"Have You Ever Seen the Rain" is another song that emerged unexpectedly from my subconscious. The song bounced around in my head until I played it. Here's my cover.

The voice I'm referring to belongs to Kate Wolf. She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet.

A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent, as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.

Here's my cover of one of Kate's early works titled "Looking Back At You."

I’ve always wanted to learn Kate Wolf’s guitar-picking style. Granted, she plays every song she’s written differently, but I just wanted a glimpse. Since Kate has mostly been an under-the-radar, brilliant singer/songwriter, no one has taken the time to create an accurate tutorial of her guitar method. That is until now. My go-to-teacher, Jerry Lamberth, best known for his unequaled guitar tutorial site (Jerry’s Guitar Bar,) has finally posted the first of what I hope will be many lessons of Kate Wolf’s songs.

I’ve recorded Kate Wolf’s remarkable story and several of her songs on previous blogs. To learn more about this courageous and uniquely talented person, go to: “An Unfinished Life” “Gentle Love” “Feeling the Heart” and “Through Her Music”.

Not surprisingly, “Across the Great Divide” is one of Wolf’s most popular songs. Without Jerry’s help, I would never have figured out how to play the song Kate’s way. She uses a simple and, at the same time, complex alternating base method the likes of which I’ve never seen.