“Pluck” is the word that comes to mind when I think of Nanci Griffith and her music. In terms of stature, Nanci can be described as diminutive, or perhaps petite is a better, if overused, description. Ironically, the essence of Nanci Griffith is anything but small. She imbued her songs with a crystal clear, powerful voice and confident stage presence. In her simple way, Griffith is remembered as a giant among country and folk singer/songwriters.

With twenty-four albums released from 1978 to 2002, Griffith has left a lasting impression on an art form she once described as “folkabilly.” Nanci’s music merges the elegant folk of her early years with the folk-rock of her later years.

I’ve covered many of Nanci’s songs on this blog, including this latest, “Trouble In The Fields.” It’s a penetrating and beautiful song inspired by Griffith’s recollections of her great-grandparents’ struggles with drought and hard economic times during the 1930s. “Trouble In The Fields” is dedicated to Nanci’s great aunt and uncle, Nettie Mae and Tootie, farmers for eighty years near Lubbock, Texas.

Here’s my cover.

There is beauty within us. There is beauty everywhere in the world. All we have to do is to want to feel it and see it.

Even in the midst of darkness, this is the dawn of a new age. It may be difficult to believe or see it, but it’s happening. Nothing can deny us our destiny in love. Not doubt. Not ignorance. Not fear.

Some of us are at the forefront of this new world. Kate Wolf was one of these visionaries. I’m a great admirer of her work and her music.

Here’s my cover of “Brother Warrior.”

In a 2009 interview, Cat Stevens (by then Yusuf Islam) is quoted as saying: “I was on holiday in Spain. I was a kid from the West End of London--I never got to see the moon on its own. In the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool; I’d never seen it before.”

The song is about finding hope in any situation, of being present and joyful. With the simplicity and joy of a child, Stevens writes about seeing life as it is in the moment, without comparing it to others’ lives or other times in an individual’s life.

Moonshaw is a beautiful song expressing the idea that every moment in life is rich and unique. Whether we are aware of it or not, Stevens is saying, we are always “leaping and hopping on a Moonshadow” every second of our existence. He cautions against being too wrapped up in our worries and concerns about what could be or what has been, and consequently missing the richness of life as it is.

Here’s my cover played in the artist’s style.