Episodios

  • Creative Control series roundup!

    Creative Control series roundup!
    Sep 18 2023
    2 m
  • How Watcher Entertainment is changing the rules of content creation

    How Watcher Entertainment is changing the rules of content creation
    Jul 6 2023
    Steven Lim used to work at Buzzfeed, cohosting the wildly popular show ‘Worth It.’ But a few years ago, he left to start his own digital studio, Watcher Entertainment, to take a chance on making content a little differently. Being a creator himself, Lim knew the struggle of writers, producers, and talent fighting to keep their own IP and earn what they’re worth, so he decided to take a unique approach that could be a new standard for digital content production—or as Lim puts it, ‘the stupidest decision’ he could ever make. Steven told us all about his perspective working at a small independent studio after being at a large media company, and his ambitions to raise the bar for digital content in the future.
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    27 m
  • How TikTok’s Medical Mythbuster exposes racism in healthcare

    How TikTok’s Medical Mythbuster exposes racism in healthcare
    Jun 29 2023
    Last week, we took a trip to VidCon in Anaheim, California, to meet up with some of the top creators in the industry. Joel Bervell, a fourth-year medical student at Washington State University, rose to fame on TikTok for calling out racial inequities in the healthcare system. One of his first videos, posted early on in the pandemic, taught people that pulse oximeters can overestimate oxygen saturation on people with darker skin—a fact with serious implications for Black COVID patients who weren’t receiving the necessary care. In our conversation, Joel talked about the myths about race that he’s encountered in medical school and how social media can be a powerful educational tool.
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    28 m
  • How SuperOrdinary links brands and creators to international markets

    How SuperOrdinary links brands and creators to international markets
    Jun 22 2023
    SuperOrdinary launched in 2017 as a way for U.S. brands to reach consumers in China. The company has since expanded to working with creators in other international markets. SuperOrdinary cofounder and CEO Julian Reis explains how his company is further leaning into what he calls the “supporter economy”—and how he’s navigating operations amid geopolitical tensions.
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    34 m
  • What if an AI Elvis sent you a birthday Cameo?

    What if an AI Elvis sent you a birthday Cameo?
    Jun 15 2023
    Founded in 2017, Cameo is a platform that allows people to buy custom messages from celebrities to send to their family and friends. The company has expanded the business and created a viable revenue stream for celebrities and creators—even for those who may not be in the traditional Hollywood spotlight. Cofounder and CEO Steven Galanis believes the company amounts to a public utility, connecting celebrities to fans in a direct, accessible way. He shared his perspective on where Cameo is headed, and why its future may or may not involve AI celebrities.
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    36 m
  • Is AI art innovation or infringement?

    Is AI art innovation or infringement?
    Jun 8 2023
    AI art generators such as DALL-E, Midjourney, and Craiyon have gained noticeable attention in the past months. But like so much of what AI touches, there are some big questions that need answers: Who owns the images that feed into these generators? Who owns the images they produce? Entertainment lawyer Wynton Yates shares his perspective on AI art generators, copyright infringement, and the legal questions being debated right now. And transmedia artist Stephanie Dinkins dives into how she uses AI in her work while maintaining her curiosity and excitement for the future of art and technology.
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    40 m
  • The thin line between borrowing and stealing in fandom

    The thin line between borrowing and stealing in fandom
    Jun 1 2023
    This is the third of our special series about fandom. To start from the beginning, listen to our episodes from the past two weeks! When it comes to fan creators and making money, copyright law is pretty strict—any unlicensed use of a property that doesn’t fall under fair use (like the characters from Star Wars, for example) is considered copyright violation. But at the same time, plenty of fan merchandise and other creations, both for-profit and not, proliferate online and at conferences. Afterall, fandoms can be their own marketing machines for profitable franchises, so companies don’t always crack down on violations. That is, until they see their profits or trademarks threatened—as was the case recently with Netflix and The Unofficial Bridgerton Musical. So, is it possible to encourage and protect the inspiration-fueling fandoms while still honoring the original authors? What’s the line between derivative and original? And most importantly, what’s werewolf erotica got to do with this?
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    32 m
  • The dark side of fandom

    The dark side of fandom
    May 25 2023
    This is the second of our special series about fandom. To start from the beginning, listen to last week’s episode!Being part of an active fandom creates close communities, even families, especially for those who haven’t found any shared interests with friends in other areas. And after several exoduses from various platforms, some of the biggest fandom spaces are fan-operated, like the fanfic archive AO3. But within these communities, people can face discrimination, gatekeeping, and other obstacles around identity, body type, and income. While some fans might find wild success with their writing or artwork, others have experienced rampant harassment and threats—and the difference has a lot to do with who they are.So how do fan creators balance independence from big platform companies with the challenges of moderating inclusive communities?To see some of the fantastic costumes Yalda’s created, check out her Instagram @yaldamn.
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    25 m
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