Visuals: https://getbehindthebillboard.com/episode-94-paul-pateman

Episode #94 features Paul Pateman aka Pâté on Toast. Paul is a graphic artist, art director, writer, speaker and general good egg who we loved having on the show.

Paul has enjoyed an incredibly successful career as a creative / creative director at AMV and TBWA. His work has won over 130 awards. Since focussing on being an illustrator, Pâté has been shortlisted numerous times in the AOI World Illustration Awards, sat on the D&AD jury and regularly lectures around the country on the power of visual imagery.

He is now firmly established with nearly 10 years’ experience in the commercial art landscape and regularly creates images that are not only beautiful but satirical and funny.

We talked broadly about the difference between being a creative and a graphic artist.

We covered Paul’s huge success on Museum of Childhood, a real lesson in going out and making shit happen. Paul and Mike Nicholson his partner at the time, were having a quiet period at AMV and decided to go get some business of their own. They approached the Museum of Childhood on the quiet, selling in the campaign which was art directed and drawn by Paul. They then had to approach the powers that be at AMV to approve the work. It paid off incredibly well, the campaign won every award going and sowed the illustrative seed in Paul’s mind.

We discussed Right Guard, Heinz Meatballs and the D&AD pencil winning John Smith’s topical ad for the royal wedding. Then we covered Paul’s more recent illustrative creations, which are stunningly simple and beautiful. Whether adorning the cover of a magazine, a poster for a school event or a billboard for Boots opticians, the level of craft is wonderful to see.

There’s also spec work which Paul does in downtime to keep the juices flowing, as shown in the billboard mock-up he did for this episode.

Paul, thanks so much for coming on, it was a real pleasure.

Visuals: https://getbehindthebillboard.com/episode-93-buildhollywood

Episode #93 features Jayne Andrew & Isobel Deevy from OOH specialists BuildHollywood, who very kindly came down from Manchester to chat about some of their amazing projects.

We’ve been saying for ages who are BuildHollywood? Their name is always on the coolest stuff.

So this was our moment to find out. It’s no exaggeration to say if you’ve seen something iconic and spectacular in the great outdoors, chances are BuildHollywood would have been behind it.

We started with a brilliant idea for a brilliant book, Max Porter: Grief Is The Thing with Feathers. BuildHollywood created a ‘feather billboard’ in Shoreditch … nearly 100 episodes in and we’ve never discussed a feather billboard. Great story.

Then there was their ongoing commitment to Manchester International Festival, the Marmite special build, Travel Supermarket inflatables with Meanwhile, the super cool F37: Mancunio which recently dominated the streets of Manchester and more.

The great work kept coming: Prost8 and Specsavers were next before we ended on a very special, special build for Dreamies ‘purr-fest poster’.

We also got an exclusive (at the time!) of Listen to Your Heart, an immense collaboration with Creative Review and 3D artist Joseph Melhuish featuring Melhuish’s signature quirky style. Designed to showcase the creative potential of 3D billboard art, the project highlights how physical installations can still make a strong emotional and visual impact in an increasingly digital world. Amen to that.

Thank you both so much for coming on the show and enlightening us on all things BuildHollywood. Not to mention the yummy buns. A real treat all round.

Visuals: https://getbehindthebillboard.com/episode-92-rick-brim

Episode #92 features Rick Brim, Co-Founder and CCO of adland’s newest agency, Ace of Hearts. Rick joined us with the agency just a few days old, so we discussed the big stuff such as if he knew how to work the photocopier, who locks up at night and how they came up with the name.

During 25 years in the industry, Rick’s won every award going, including 4 Cannes Grand Prix in the same year for Harvey Nichols Christmas campaign: “I spent it on myself.” During his tenure at adam&eveDDB the agency was named Agency of the Decade by both Cannes and Campaign magazine. He’s been President of both D&AD and the Cannes Films Lions jury.

We started with Shelter ‘House of Cards’ and discovered if there was a connection with the name of the new agency. Next several graphic posters for Think! where Rick & Dan involved Paul Belford in the design of the campaign. Then it was Sunday Times Rich List - one of the most fun and awarded of all the STRL campaigns.

And then “I spent it on myself’ which started life as real products sold in real Harvey Nichols stores at Christmas.

We also discussed CALM and the campaigns created under Rick’s tenure. We focussed on Project 84, an iconic piece of OOH from Ant & Mike who are now Rick’s successors at adam&eveDDB. We finished in pets corner with cats going crazy for a pack of Dreamies on a billboard, followed by a huge inflatable dog stuck between two buildings in New York for IAMS dog food.

Rick, thank you so much for sharing the stories behind your brilliant billboards. It was a blast. Hopefully you’ll return soon with more ace work from the new gaff.

Visuals: https://getbehindthebillboard.com/episode-91-gary-fawcett-amp-lisa-nichols

Podcast episode #91 features Gary Fawcett & Lisa Nichols, ECDs at TBWA\MCR, in the second part in our Manchester special.

Gary & Lisa have worked in the business for over 25 years, for a huge array of clients including Pizza Hut, British Airways, EA Games and Harvey Nichols. Their work has been recognised at Cannes, D&AD, The One Show, New York Festivals, Epica and London International Awards.

We spent a lovely hour chatting all things Manchester, advertising and a tiny bit of football (Gary, like Hugh, is a long suffering United fan).

We discussed how to crop a man’s elbow perfectly to resemble a man’s bottom for prostate charity Prost8. A brilliant and incredibly important campaign which has been one of our favourites for ages now.

We covered the Stop Homelessness Spiking work highlighting the worrying trend of harmful architecture. The work is graphic and disturbing and we really hope it helps. To learn more go to hostiledesign.org

We also discussed classic OOH campaigns for Harvey Nichols Manchester, British Airways, MBNA, Anti-Knife Crime and appropriately enough ending on the Lowry Centre which we could see from GAS studios.

Thank you Gary & Lisa so much for coming in and sharing your work in such friendly and humble fashion. Manchester is lucky to have you.

Sponsored by:
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GAS Music

Visuals: https://getbehindthebillboard.com/episode-90-tim-jones

Podcast episode #90 is the first of our Manchester special and features the charming and uber-talented Tim Jones. Tim has an incredible track record when it comes to OOH, both from his time at BBC Creative and more recently at Meanwhile, the agency he set up with long term creative partner James Cross and Al Marchant.

Meanwhile have enjoyed great success since launch in 2022, thanks not just to their creative work, but savvy association with Bez of the Happy Mondays, himself an icon of the North West. It’s no surprise Meanwhile were Campaign’s Start Up Agency of 2023.

We discussed Tim’s extensive OOH portfolio, including the 7m tapestry for the BBC World Cup in Russia which formed the centre pice of the History Will Be Made campaign and was meant to have an additional segment, allowing for the next bit of history. Tim told us how he was prepping the new piece to incorporate Harry Kane lifting the trophy. Oh Lord. How many years of hurt?! Too much. Anyway, it wasn’t meant to be, but a brilliant story about what goes on behind the tapestry.

Then there was the Netflix Diamond Heist and how Meanwhile placed a 9-carat diamond onto the side of a billboard.

Next Travel Supermarket with a vertical stack of inflatables in a shopping trolley on the side of a building. How will they stay up? What happens if a member of the public throws darts at them? And a million and one other daft questions that have to be answered in order to get creative work to run.

On and on the stories went, the Manchester tram that toots the theme tune of Coronation Street, the BAFTA winning work for BBC Tokyo Olympics, the award-winning launch work for Chester Zoo, the iconic Park Run work for Mental health Day.

Thank you Tim. It was a total pleasure. We can’t wait to see what you and Meanwhile do next.

Visuals: https://getbehindthebillboard.com/episode-89-liam-and-alison

Episode #89 features Liam Bushby & Alison Steven, Global Creative Directors at Ogilvy London and two of the finest, most humble creatives you could ever meet.

We talked at length about what it’s like to work on Dove and in particular their multi award-winning campaigns Reverse Selfie and #TurnYourBack which won more metal than you can shake a stick at, including a Cannes Grand Prix.

We also discussed their first ever poster for McDonald’s, a wonderful idea that has a great story about timing, opportunity and being open to nailing a brief, even if it’s over lunch on a Friday when you’ve got shitloads of other work on.

We also heard about Liam & Alison’s outdoor work which is not confined to billboards, in particular two audacious campaigns for Hellman’s Mayonnaise, the Charli XCX inspired “Club Classic" sandwich and the The Margaret bag that debuted at London Fashion Week. Both sound be appearing at an awards show soon.

Thank you so much Liam & Alison for coming on and sharing your stories.

Visuals: https://getbehindthebillboard.com/episode-88-hermeti-balarin

Episode #88 features the charming, uber-talented Hermeti Balarin, joint CCO at W+K London.

Hermeti works with his wife Ana, who was Behind the Billboard guest no. 9, which means the Balarin’s are our first ever married couple on the show 🎉

Hermeti & Ana started out at as interns at Mother before rising to Partners a decade or so later. Under their leadership, Mother was named International Agency of The Year twice by Ad Age thanks to iconic award-winning work on Stella Artois, IKEA, KFC, Boots and more.

We talked about recent minimalist OOH campaigns from brands such as BA, Kellogg’s, McDonald’s and Tesco, before focussing on Hermeti & Ana’s similar approach on Heinz and KFC and how ‘less is more’ is not really new at all, citing campaigns such as Silk Cut, which was the Daddy of them all.

We did a deep dive into KFC and the stories behind the Covid and AFC to ZFC work. Covid was a great example of every cloud having a silver lining. KFC and Mother decided to embrace the madness with ‘The World's Least Appropriate Slogan’ campaign, which resulted in the brand emerging from the pandemic stronger than ever. Never let a good crisis go to waste.

We discussed #FreeTheFeed, an incredible campaign featuring huge 50ft breasts dotted around the London skyline to raise awareness of the stigma surrounding public breastfeeding.

And we discovered how Hermeti is an Exec TV Producer, a decent basketball player, a Star Wars geek and the owner of the coolest hair in advertising.

Thank you so much Hermeti for coming on and sharing your stories and creativity. Hi to Ana and please both come back soon?!

NB: In this episode Hugh repeatedly mispronounces the words Wieden & Kennedy. We have no idea why this happened. We apologise if this affects your listening pleasure and Hugh promises it will not happen again. Arse.

Visuals: https://getbehindthebillboard.com/episode-87-jeremy-craigen-part-2

He’s back! Jeremy Craigen returns for episode #87, talking all things VW.

Jeremy worked on the brand as a creative / CD / ECD and Global CCO for over 20 years, winning endless awards with iconic campaigns for every model in the range, even getting a free appearance on Top Gear (estimated viewing audience 90million).

How did it feel to be the creative lead on such a prestigious account? Who were his inspirations? What is the essence of VW? And did he play as hard as he worked?

Jeremy tells all and more.

We found out how two creative teams independently came up with same Polo Cops idea. And how, for the same brief, King Kong was also in the mix and the client was persuaded to run it a year later.

The Polo Ice Car was another fascinating story … a press ad that became national news, involving a life sized car carved from 9.5 tonnes of ice. We also discussed the Surprisingly Ordinary Prices Wedding execution, which is still the most awarded print ad ever (facts by Neil Dawson).

Then there was Swear Box, Ele-pump, Cabriolet, Dr Who x3, Nightdrive and more. A phenomenal body of work. Thank you again Jeremy. It was an education. Apologies we didn’t have any booze, schoolboy error. Next time promise 🍷

We’ll close with a quote from Jonathan Hill, Former U.K. and European Business Director Volkswagen:

"Jeremy is the best ECD I have worked with for spotting a good idea. It might just be the one line in a pile of 100 scripts but he will spot it every time. And there is no one better at turning a good idea into a great idea."

Amen to that.