Whiskey Tango Foxtrot

De: David Shafer

Narrado por: Bernard Setaro Clark

Three young adults grapple with the usual thirty-something problems -- boredom, authenticity, an omnipotent online oligarchy -- in David Shafer's darkly comic debut novel.

The Committee, an international cabal of industrialists and media barons, is on the verge of privatizing all information. Dear Diary, an idealistic online Underground, stands in the way of that takeover, using radical politics, classic spycraft, and technology that makes Big Data look like dial-up. Into this secret battle stumbles an unlikely trio: Leila Majnoun, a disillusioned non-profit worker; Leo Crane, an unhinged trustafarian; and Mark Deveraux, a phony self-betterment guru who works for the Committee.

Leo and Mark were best friends in college, but early adulthood has set them on diverging paths. Growing increasingly disdainful of Mark's platitudes, Leo publishes a withering takedown of his ideas online. But the Committee is reading -- and erasing -- Leo's words. On the other side of the world, Leila's discoveries about the Committee's far-reaching ambitions threaten to ruin those who are closest to her.

In the spirit of William Gibson and Chuck Palahniuk, Whiskey Tango Foxtrot is both a suspenseful global thriller and an emotionally truthful novel about the struggle to change the world in- and outside your head.

Reseñas de la Crítica

"Genius techno-­thriller à la Neal ­Stephenson, powered by social-media info-conspiracy à la Dave Eggers."—Lev Grossman, Time

"Is it too late to nominate a candidate for novel of the summer? . . . A paranoid, sarcastic and clattering pop thriller . . . Mr. Shafer gets the playfulness-to-paranoia ratio about exactly right. . . . He's got a sick wit and a high style. Reading his prose is like popping a variant of the red pill in The Matrix: Everything gets a little crisper. . . . Whiskey Tango Foxtrot is a page-turner, yet many more "literary" writers will, I suspect, envy Mr. Shafer's tactile prose. His eye is hawklike. . . . Mr. Shafer has written a bright, brash entertainment, one that errs, when it errs at all, on the side of generosity, narrative and otherwise. It tips you, geekily and humanely, through the looking glass."—Dwight Garner, New York Times

"Zinging with wit and pop culture savvy . . . Shafer's writing is hip, wickedly hilarious, cutting edge, and ultimately concerned with old-fashioned notions of morality and redemption. . . His inventive, comic, dystopian semi-thriller restored my faith in fiction."—Mark Lindquist, Seattle Times

"Smart, funny . . . A techno-thriller with a soul . . . Shafer etches diamond-sharp and precisely observed contemporary satire."—Laura Miller, Salon

"A unique literary treat . . . As ambitious a fiction debut as you're ever likely to encounter . . . At turns the novel feels like a breakneck spy thriller, until, just around the next corner it morphs into a darkly comedic look at the realities of the human condition in our increasingly technology-fueled world."—Brooke Wylie, Examiner.com

"Shafer's savvy, sardonic take on our social media- and Big Data-worshiping society is as current as your Twitter feed..Just in time for your August beach trip, put Whiskey on your Amazon Wish List. As if they don't already know you want it."—Patty Rhule, USA Today

"Shafer hits all the right buttons in his debut as he mixes crime fiction, espionage, and SF in a darkly comic novel."—Publishers Weekly (starred)

"An edgy, darkly comedic novel whose characters and premise are as up-to-the-minute as an online news feed but as classic as the counterculture rebellions once evoked by Edward Abbey and Ken Kesey...Shafer's arch prose, comedic timing and deft feel for shadowy motives in high places are reminiscent of the late Richard Condon (The Manchurian Candidate), only with sweeter, sweeper characterizations...It's possible that Shafer is remaking the international thriller into something more humane and thus more credible."—Kirkus Reviews

Just OK

Is there anything you would change about this book?

Maybe it was the fact that it was the first time I've done an audio book since I was a kid, or maybe the narrator just wasn't my type.

What was your reaction to the ending? (No spoilers please!)

It was finally picking up its pace and getting good when it ended.

What did you like about the performance? What did you dislike?

Just a little tame. With slightly boring characters, but again, it could be due to my issue with teh narrator.

If this book were a movie would you go see it?

Depending, if it was a low budget foreign film done really well maybe. This woudl just be dumb if Hollywood had its ways with it.

Any additional comments?

I think I would have enjoyed it more if I read it myself, as it had all the ingredients I look for in this type of novel.

More, please

Great story and leaves you wanting the sequel. Many intriguing plot elements, not adequately resolved. Narrator did a good job with different voices and accents.

A Light-Hearted Paranoid Thriller

Edward Snowden has shown us where all the information in our information age is going; David Shafer works out the implications in a clever, fast read that channels the zeitgeist. The set-up (which may seem familiar): a ravenous addiction to digital connectivity has seduced us into handing over vast amounts of personal information to ... who, exactly?... which has provoked an equally frenzied panic about the loss of privacy. A serious topic, surely, but Shafer has made of it a shapely comedy/thriller. The three characters he has chosen to save the world are truly unimpressive: a serious-minded NGO worker, a mentally unstable trustafarian and a deeply hypocritical, self-loathing self-help guru (whose tribulations are especially, hilariously awful). This is a very entertaining read with a serious premise and a solid heart.

An NPR reviewer compared this book to Neal Stephenson's work, but the resemblance is only superficial. Stephenson is an idea man, with a dazzling gift for multi-level narrative and a tough, comprehensive and witty view of technology and its history. Shafer is also witty and inventive, but his concerns are essentially moral. He is less interested in the technologies that have led us to this sorry state of affairs than in what we will make of them.

long intro to a story that never quite delivers ;(

Mr. Shafer writes very well. He has created interesting characters that have the potential for considerable depth; they are appropriately "snarky" & hip! His world is terrifying possible, and the thesis could be right from tomorrow's news.

My disappointment is that (IMHO) the plot took forever to develop and the best part - the last part of the book was what i was hoping to encounter throughout the whole piece. I wish there had been considerable editing and the end of the book actually be the middle of the book. This book would make more sense if these characters will be part of a series...

Mr. Clark's performance is terrific and the reason I stayed with the book until the end.

WTF Indeed

I am not one for leaving negative reviews, however, this book has also been unfairly hyped. I really, really wanted to like it and for the most part I did. However, that ending, that ending that ending. WTF was that all about?

Wonderful world building, nice characters, good story - all for naught. I shouldn't be angry at the end of a story.

Maybe there's a Part Two coming?