
We Have Never Lived on Earth
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Narrado por:
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Marysia Bucholc
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De:
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Kasia Van Schaik
Acerca de esta escucha
Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis.
©2022 Kasia Van Schaik (P)2023 The University of Alberta PressLos oyentes también disfrutaron...
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Melancholy
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Ugh. Ugh. Ugh.
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De: Susie Yang
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Signal Fires
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General
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Division Street is full of secrets. An impulsive lie begets a secret—one which will forever haunt the Wilf family. And the Shenkmans, who move into the neighborhood many years later, bring secrets of their own.. Spanning fifty kaleidoscopic years, on a street—and in a galaxy—where stars collapse and stories collide, these two families become bound in ways they never could have imagined. Urgent and compassionate, Signal Fires is a magical story for our times, a literary tour de force by a masterful storyteller at the height of her powers.
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Depressing, poorly read
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De: Dani Shapiro
Reseñas de la Crítica
“Full of diffuse longing and hallucinatory memory, these stories shimmer and compel like half-remembered dreams. Van Schaik's poetic linked collection brings the reader on an evocative journey across decades and continents.” — Saleema Nawaz, author of Songs for the End of the World
“We Have Never Lived On Earth contains a bright humour, a sharpness. There's an authentic, human thrumming behind these stories. With their focus on mothers, fathers, and daughters, these linked stories explore how initial models of care feed into our romantic loves. Kasia Van Schaik captures the souring phase of relationships, where the glue has become brittle and two individuals begin to lean away from each other. Yet the characters forge their way through these moments of dislocation with grace, humour, and the perfect amount of self-awareness, which makes the reader laugh out loud, or nod knowingly. At least it did for me.” — Eliza Robertson, author of Demi-Gods
“Few writers can work with memory as vividly as Kasia Van Schaik—fusing fiction and remembrance with confidence, sensitivity and the shivering logic of dream. These are stories that glitter and then duck away from view, like a swimmer half-discerned. A beautiful book you can't forget.” — Sean Michaels, Giller Prize-winning author of Us Conductors and The Wagers