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Narrado por:
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Grover Gardner
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De:
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Yevgeny Zamyatin
Acerca de esta escucha
Set in the 26th century A.D., Yevgeny Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful "Benefactor." Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than 60 years' suppression.
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We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. The novel was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York. The novel describes a world of harmony and conformity within a united totalitarian state. It is believed that the novel had a huge influence on the works of Orwell and Huxley, as well as on the emergence of the genre of dystopia.
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Those who live in this futuristic city are always taken care of but they lack creativity and individuality. This all changes when a mathematician named D-503 discovers that he has a soul that is separate from the OneState. He and the citizens of OneState live out their lives deprived of passion and creativity. Their names have been taken away and replaced with numbers, their daily routines are dictated by the “Time Tablet” which tells them what they should do, and when they should do it, hour after hour.
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Wonderful narration of a dystopian novel!!
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In a glass-enclosed city of perfectly straight lines, ruled over by an all-powerful “Benefactor”, the citizens of the totalitarian society of OneState are regulated by spies and secret police; wear identical clothing; and are distinguished only by a number assigned to them at birth. That is, until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. He can feel things. He can fall in love. And, in doing so, he begins to dangerously veer from the norms of his society, becoming embroiled in a plot to destroy OneState and liberate the city.
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Truly perfection
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We
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In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul.
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Great novel, We are all in debt to.
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We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. The novel was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York. The novel describes a world of harmony and conformity within a united totalitarian state. It is believed that the novel had a huge influence on the works of Orwell and Huxley, as well as on the emergence of the genre of dystopia.
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We
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- Versión completa
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General
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Historia
Those who live in this futuristic city are always taken care of but they lack creativity and individuality. This all changes when a mathematician named D-503 discovers that he has a soul that is separate from the OneState. He and the citizens of OneState live out their lives deprived of passion and creativity. Their names have been taken away and replaced with numbers, their daily routines are dictated by the “Time Tablet” which tells them what they should do, and when they should do it, hour after hour.
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Wonderful narration of a dystopian novel!!
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We
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In a utopian future society, where all social unrest has been engineered away, a man has an awakening. Starting as a happy worker drone, he meets a woman who reveals to him the reality of life outside the state's control - the glories of chaotic nature in the world and in the heart. They become entwined with a conspiracy against the state, and eventually try to escape beyond the walls of the state's control... only to meet betrayal, failure, and a dark ending in the glorious light of the state's total control.
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Fun Pynchon, don't be afraid
- De Darryl en 08-21-09
De: Thomas Pynchon
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Time and Again
- De: Jack Finney
- Narrado por: Paul Hecht
- Duración: 17 h
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Transported from the mid-twentieth century to New York City in the year 1882, Si Morley walks the fashionable "Ladies' Mile" of Broadway, is enchanted by the jingling sleigh bells in Central Park, and solves a 20th-century mystery by discovering its 19th-century roots. Falling in love with a beautiful young woman, he ultimately finds himself forced to choose between his lives in the present and the past. A story that will remain in the listener's memory, Time and Again is a remarkable blending of the troubled present and a nostalgic past....
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Best time travel novel; my very favorite audiobook
- De Mark en 04-08-12
De: Jack Finney
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Brave New World
- De: Aldous Huxley
- Narrado por: Michael York
- Duración: 8 h
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When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
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Michael York should stick to the stage and leave narration to the pros.
- De SD en 08-21-19
De: Aldous Huxley
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The Master and Margarita
- De: Mikhail Bulgakov
- Narrado por: Julian Rhind-Tutt
- Duración: 8 h y 21 m
- Versión resumida
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The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.
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Very vivid and amazing writing style
- De Sina Beni en 05-04-22
De: Mikhail Bulgakov
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The City & The City
- De: China Mieville
- Narrado por: John Lee
- Duración: 10 h y 16 m
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When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borl ú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined. Borl must travel from the decaying Beszel to the only metropolis on Earth as strange as his own.
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Reviews, Dishonesty and The Emperor's New Clothes
- De Robert en 01-27-13
De: China Mieville
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Anathem
- De: Neal Stephenson
- Narrado por: Oliver Wyman, Tavia Gilbert, William Dufris, y otros
- Duración: 32 h y 25 m
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Fraa Erasmus is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the "Saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities, and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs, bloody violence born of superstition and ignorance has invaded and devastated the cloistered mathic community.
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I love Neal, but Good lord... ugh!
- De SpiderGrrl en 10-08-19
De: Neal Stephenson
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The Definitive Sci-Fi Collection: 25+ Novels and Stories from HP Lovecraft, Jules Verne, Edgar Rice Burroughs, Mary Shelley, Elizabeth Bowen, & More
- 1984, The War of the Worlds, The Shadow Over Innsmouth, A Princess of Mars, Flatland, Heart of the Day, Journey to the Centre of the Earth, Frankenstein, Strage Case of Dr Jekyll and Mr Hyde, & More
- De: Edgar Rice Burroughs, Robert Louis Stevenson, Edward Abbott, y otros
- Narrado por: Malk Williams, Emma Gregory, Jonathan Keeble, y otros
- Duración: 151 h y 9 m
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The Definitive Sci-Fi Collection is a collection of 28 classic science fiction novels and stories, read by an esteemed cast of award-winning narrators. Included here are stories by some of the most iconic science fiction writers of all time, including H.G. Wells; Jules Verne; H.P. Lovecraft; Margaret Cavendish; Yevgeny Zamyatin; and more.
De: Edgar Rice Burroughs, y otros
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The Windup Girl
- De: Paolo Bacigalupi
- Narrado por: Jonathan Davis
- Duración: 19 h y 34 m
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Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman.
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Good and also Frustrating
- De txkimmers en 11-16-09
De: Paolo Bacigalupi
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A Canticle for Leibowitz
- De: Walter M. Miller Jr.
- Narrado por: Tom Weiner
- Duración: 10 h y 55 m
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Winner of the 1961 Hugo Award for Best Novel and widely considered one of the most accomplished, powerful, and enduring classics of modern speculative fiction, Walter M. Miller’s A Canticle for Leibowitz is a true landmark of 20th-century literature—a chilling and still-provocative look at a postapocalyptic future.
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Introibo Ad Altare
- De richard en 03-20-13
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Uglies
- Uglies, Book 1
- De: Scott Westerfeld
- Narrado por: Emily Tremaine
- Duración: 10 h y 12 m
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Tally lives in a world where your 16th birthday brings aesthetic perfection: an operation that erases all your flaws, transforming you from an "Ugly" into a "Pretty". She is on the eve of this important event and cannot wait for her life to change. As well as guaranteeing supermodel looks, life as a Pretty seems to revolve around having a good time. But then she meets Shay, who is also 15 - but with a very different outlook on life.
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Deadpan narrator murders bubbly story.
- De Mrs. T en 11-09-16
De: Scott Westerfeld
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The Master and Margarita
- De: Mikhail Bulgakov
- Narrado por: Julian Rhind-Tutt
- Duración: 16 h y 52 m
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The Devil comes to Moscow, but he isn't all bad; Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.
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Satisfying Satanic Satire
- De Jacob en 12-06-11
De: Mikhail Bulgakov
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The Moon Is a Harsh Mistress
- De: Robert A. Heinlein
- Narrado por: Lloyd James
- Duración: 14 h y 12 m
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In what is considered one of Heinlein's most hair-raising, thought-provoking, and outrageous adventures, the master of modern science fiction tells the strange story of an even stranger world. It is 21st-century Luna, a harsh penal colony where a revolt is plotted between a bashful computer and a ragtag collection of maverick humans, a revolt that goes beautifully until the inevitable happens. But that's the problem with the inevitable: it always happens.
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Heinlein's Masterpiece
- De Peter en 12-04-06
Lo que los oyentes dicen sobre We
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- David
- 09-21-16
Rough inspiration for 1984
This classic of early science fiction was the prototype for nearly every dystopian novel written since. George Orwell identified We as his inspiration for 1984, and the similarities are obvious.
Yevgeny Zamyatin's "OneState" under its "Benefactor" are not as fully developed as Orwell's Oceania and Big Brother - Zamyatin wanted to represent ideas which were (obviously) allusions to the communist regime that he had to flee, but he didn't go as far as Orwell did in creating a society meant to be believable and similar to our own. Also, the prose (allowing for the translation from Russian) is often clunky, the dialog sometimes laughable, and the plot verges into the absurd. But it is an early work of science fiction and deserves its laurels for inspiring the better novels that came after it.
Besides the obvious dystopian elements of OneState and the iconic figurehead of a "Benefactor," one can also see Orwell's inspiration in the up-is-down, black-is-white logic of OneState, which holds annual elections so everyone can vote in perfect unanimity for the Benefactor and which manages to reify ideas into what Orwell would later call "thoughtctimes."
In OneState, everyone lives in a glass apartment building. Society runs according to strict scientific algorithms, making everyone equal and everything fair. For example, human beings have been freed from lust and jealousy by the simple expedient of making everyone a public good - if you want to have sex with someone, you just put in a request for their number and at an appointed time they will show up to perform their duty.
I can see a few obvious problems with this scheme that even a dystopian police state would have trouble controlling, but again, this book is more of a thought experiment than a carefully designed setting.
Zamyatin's tale of D-503, a scientist/drone whose previously unquestioned loyalty to OneState is suddenly shaken by a desire to get laid by someone sexier than his assigned short, plain, girlfriend O-90, is at heart a fairly typical story that even has a few pulp action scenes at the end. I can see it being an inspiration not only for George Orwell but also Isaac Asimov and other writers of the generation who would have read Zamyatin's novel growing up.
It was interesting to read, but We is very much an artifact of its time, and Zamyatin's writing unfortunately fell flat for me as most Russian writers tend to.
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- Brian
- 12-26-16
The grand-daddy of all Dystopians
1984 is easily one of my all-time favorite books. So, when I heard that “We” was one of the stories that Orwell read that shaped his Big Brother world, I had to read it. I’m glad that I did.
“We” tells the story of D-503 in the 26th Century. While being written in the 20’s — some of the stories and ideas within “We” are still valid today, while others do feel a bit dated.
I can definitely tell where Orwell picked up some of his dystopian ideas for 1984 within this book — a lot of the plotlines seem similar “Benefactor” vs Big Brother, main male character writing his thoughts down (and ends up writing down thoughts against the world he currently lives in), and the way a girl/woman can pull them from their normal everyday lives to a new and unique life.
The narration is really well done, the book is very flowy until it’s choppy (which makes no sense until I explain it). Basically, the story is a journal from D-503. And sometimes he just stops writing because their leisure time is up, or his thoughts are confused. And others — D-503 writes long and crazy stories about what is happening to him and what is going to happen. It’s a bit crazy, but I really enjoyed it.
Overall, “We” is a must read for those who love dystopians. It’s one of the world’s first — and even though it’s almost 100 years old, a lot of the premises will still give you chills today.
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- Anonymous User
- 02-01-23
Outstanding performance!
The speaker was amazing! His voice was clear and articulate. There were times when the story dragged a little and was even a bit boring at times. However, the speaker made it interesting to listen too and allowed me to keep going.
The story itself was good. The overall premise of a dystopian world told from a believers point of view was unique to me and this is what set it apart.
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- omar
- 05-19-24
Everyone should read this book
I loved the story the logic behind and the way the writer made the “logic” of the protagonist work, makes you think about our ways of thinking, what we value in our society and the dangers of controlling information and disinformation.
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- Julie W. Capell
- 01-10-17
Couldn't be more topical . . . great narrator
It's a shame more people don't read "golden age" scifi like this gem. Even in translation from the original Russian, it is a tremendously powerful allegory of the politics of oppression and the dangers of giving up one's freedom for the perception of safety. Couldn't be more topical now, as citizens of the world's mature democracies vote for ever-escalating surveillance and run toward the candidate who promises to keep them "safe" . . . from what, exactly?
[I listened to this as an audio book performed by Grover Gardiner, who did an excellent job of conveying the irony of the book without sacrificing believability]
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- Ryan Bartlett
- 09-21-16
Orwell and Huxley Ripped Him Off!
Really a 3.5 on story, but sooo ahead of its time, I had to bump it up. Grover Gardner is always great - he and Simon Vance are tied for my #2 behind Jim Dale.
The story does bog down, and get very strange 2nd half - need to listen again. Main thrust is the main characrer's order versus soul battle.
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- Robin
- 09-25-16
WE are not impressed
Yevgeny Zamyatin may have been the first to write a story like this but I don't buy that robot to lust and jealousy constitutes a soul. It was more like complete control to complete (emotional at least) loss of control.
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- Tim
- 09-23-16
Anti-Utopia
I didn't know that George Orwell based "1984" off of Yevgeny Zamyatin's book "We." This classic science fiction novel has been retold before in many other forms. "We" feels very dated, but as a fan of this genre, I wanted to read the original of anti-Utopia. Will I remember Zamyatin's art? Probably not, but it explains a lot of the same plot that has been repeatedly told over and over in this genre.
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- Joel D Offenberg
- 11-30-11
Interesting history, prose a little outdated
WE tells the story of the "One State," a sanitized, regimented world in which the individuals ("numbers"...nobody has a name) live sanitized, regimented lives. Rocket scientist D305 lives his clockwork life as expected until he meets and falls in love with the revolutionary I330.
WE is one of the earliest examples of dystopian literature---you can see elements of WE in 1984 (Orwell), Brave New World (Huxley), Anthem (Rand), Player Piano (Vonnegut) and many others.
The story is presented as D305's personal journal. The prose is a bit dated---it was written around 1920 and has very flowery internal narration and not a lot of dialog, and I started to find it getting tedious, until we got close to the end.
The audio book starts with a fairly long and involved history of WE and its publication (and the various translations). Usually, I find such intros boring and low-value, but in this case, I found it helpful.
Grover Gardner's narration is quite good...he doesn't really add anything to the story but he doesn't take anything away, either.
[Footnote: According to Wikipedia, Aldous Huxley denied having read WE before writing Brave New World, but Orwell definitely cited it as a source for 1984.] Of course, all have different themes and draw different conclusions.
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- Steve
- 10-06-15
Not you, not me, but WE
If you could sum up We in three words, what would they be?
Freedom from imagination
What other book might you compare We to and why?
1984, Brave New World. All three are about modern dystopia.
Have you listened to any of Grover Gardner’s other performances before? How does this one compare?
I have enjoyed Grover Gardner's performance elsewhere, but I really enjoyed his poem-like presentation in this book.
Was there a moment in the book that particularly moved you?
No. I am not easily moved. I weigh 240 lbs.
Any additional comments?
I enjoyed reading the precursor to 1984. I enjoyed the story and expected the outcome, but the presentation was fantastic. I enjoyed how the character referred to Ancient Times and wondered why we were so difficult. I loved his explanation of our election process differences. It was a good story that ended too soon.
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