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The Waitress Was New  Por  arte de portada

The Waitress Was New

De: Dominique Fabre, Jordan Stump - translator
Narrado por: John Torres
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Resumen del Editor

This “charming . . . short account of ordinary goings-on in a French café” explores love, work, loneliness, and aging as it follows the daily life of a middle-aged Parisian bartender (Lemony Snicket)

Pierre is a veteran bartender in a café in the outskirts of Paris. He observes his customers as they come and go—the young man who drinks beer as he reads Primo Levi, the fellow who from time-to-time strips down and plunges into the nearby Seine, the few regulars who eat and drink there on credit—sizing them up with great accuracy and empathy. Pierre doesn’t look outside more than necessary; he prefers to let the world come to him.

Soon, however, the café must close its doors, and Pierre finds himself at a loss. As we follow his stream of thoughts over three days, Pierre’s humanity and profound solitude both emerge. The Waitress Was New is a moving portrait of human anguish and weakness, of understated nobility and strength.

©2009 Dominique Fabre (P)2018 Archipelago

Reseñas de la Crítica

“A slim, whisper of a book that speaks to aging, solitude and the need for human contact, it feels like a philosophy primer for the meaning of life. A short read with a long tail impact.” —Monica Carter, Three Percent

“A tiny miracle like a perfect cup of coffee or just the right wine . . . It’s a minor classic, a charming little book, a short account of ordinary goings-on in a French café that some highfalutin reader might call a deceptively detached exploration of the quotidian. It’s the sort of book you can’t wait to find again, and for others to find it for the first time.” —Daniel Handler, author of A Series of Unfortunate Events under pen name Lemony Snicket

“The strong, intimate voice of this gentle, canny narrator continues to stay with us long after we reach the end of The Waitress Was New—what an engrossing, captivating tale, in Jordan Stump’s sensitive translation.” —Lydia Davis

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