
The Next Elvis
Searching for Stardom at Sun Records
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Narrado por:
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Lee Ann Howlett
An American institution, Sun Records has a history with many chapters: its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records. Sims's job placed her in the studio with Johnny Cash, Roy Orbison, Jerry Lee Lewis, Charlie Rich, Carl Perkins, and other Sun entertainers, as well as the unforgettable Phillips, whose work made the music that defined an era. Her disarming narrative ranges from descriptions of a disgraced Jerry Lee Lewis to the remarkable impact and tragic fall of DJ Daddy-O Dewey to the frenzied Memphis homecoming of Elvis after his military service. Collectively, these vignettes offer a rare and intimate look at the people, the city, and the studio that permanently shifted the trajectory of rock 'n' roll.
The book is published by Louisiana State University Press
©2014 Barbara Barnes Sims (P)2015 Redwood AudiobooksListeners also enjoyed...




















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Sims describes what it was like to work for the energetic and ambitious Phillips, a true musical pioneer. It would be Phillips, along with Marion Keisker, that would first record and help the launch the career of Elvis Presley. She recalls the time she met a young Presley, still dressed in his Army green uniform, during a visit to the Sun studios while on leave from the military. Sims also outlines her duties in working with many of the top recording stars, including Orbison, who wanted to be the next Elvis.
The author worked in promotions for Sun Records, and she takes us back to the PR nightmare the label endured when it was learned that "The Killer" had married his thirteen year cousin. Sims describes the steps taken to clean up his image, and recalls the hard feelings Sam Phillips had towards Johnny Cash when it was revealed that he had signed with a different recording label. In response, Phillips booked marathon sessions to record as many Cash songs that they could before his contract expired. Feeling neglected by Phillips, Orbison also left Sun Records, and even bought out his contract to sign with a rival label.
Also in "The Next Elvis," Sims relives the process of Sun moving operations to a new location, and learning that Judd had left to form his own record label. Sam Phillips also created Phillips International Records, a sub-label of Sun Records. Shelby Singleton eventually purchased Sun Records in 1969, but the famous 706 Union Street location remains a popular tourist spot for visitors to see where it all started for the "King of Rock 'n' Roll."
Finally, Sims left Suns Records to a pursue a career in teaching. Sims recalls the day she told Phillips she was leaving, and his shares his reaction.
A flash back to the glory days of Sun Records
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good story but boring style
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Any additional comments?
I'm from the south (North Carolina) and around the same age as the author, Barbara Barnes, and I loved her story. Hearing about the antics of these musicians that I listened to via their records made me feel like I was there. Jerry Lee Lewis was even crazier than I thought he was. The part where he blindsided everyone at Sun Records when he married his cousin was priceless. I had no idea that the English press reported the story before the people at Sun knew what he had done. Johnny Cash came across as an interesting person. Of course, listening to what it was like working for Sam Phillips was fun. I was impressed by how well Barbara handled duties for Sam like writing the liner notes for albums and having to 'sell' records to various disc jockeys around the country. I'm not sure I could have handled the pressure or the egos.Lee Ann Howlett did a great job telling Barbara's story. She has just enough of a southern accent to make her seem like the author was looking back and relating the events to you. She was also good when narrating the humorous parts and there were plenty of them.
Geat story of early rock and roll
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Should Have Been Really Good
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So was it 6 hrs and 41 mins with Barbara Barnes Sims or Lee Ann Howlett i had the most trouble with? I am not sure to be fair, because a more boring narrator i think you should look for a long, long time! She is still not the WORST, and like i said i did finish the book, but she did not make the book better. That is for sure! So my 2 advise is this: Listen to the sample, and if you find that and the topic interesting: Get this, if not: Stay away!
I was provided this audiobook at no charge by the author, publisher and/or narrator in exchange for an unbiased review via AudiobookBlast dot com
Not my type of book/narrator!
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