The Finality Problem (Dramatized Adaptation) Audiolibro Por G.S. Denning arte de portada

The Finality Problem (Dramatized Adaptation)

Warlock Holmes, Book 5

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The Finality Problem (Dramatized Adaptation)

De: G.S. Denning
Narrado por: Jenna Sharpe, Earl Fisher, Colleen Delany, Kimberly Gilbert, Kay Eluvian, Christopher Graybill, Bradley Foster Smith, Scott McCormick, Eric Messner, Patrick Bussink, John Kielty
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The famous duo has been split! Watson has been banished from Holmes's company. Despite the interference of his horrible wife, Mary, Watson tirelessly insinuates himself into every magical adventure he can.

Together, he and Holmes face a man with a twisted...everything, some very questionable juice-drinking Germans, Garrideb the Devourer and the estimable Irene Adler. Yet, nothing can prepare them for Moriarty's new form and the terrible moment they must face their Finality Problem at the edge of the Reichenbach Falls.

Performed by Scott McCormick, Eric Messner, Kimberly Gilbert, Patrick Bussink, Colleen Delany, John Kielty, Earl Fisher, Bradley Foster Smith, Christopher Graybill, Kay Eluvian, Jenna Sharpe, Chris Davenport, Todd Scofield, Stewart Crank, Wyn Delano, Peter Holdway, Joey Sourlis, Michael John Casey, Andrew Colford, Danny Gavigan, Mort Shelby, Rose Elizabeth Supan, Terence Aselford, Alex Hill-Knight, Torian Brackett, Lucy Symons, Jacob Yeh, Nora Achrati, Lolita Horne and Jillian Levine-Sisson.

©2020 Gabriel Stephen Denning (P)2022 Graphic Audio LLC
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I enjoyed this very much! It is full so many funny parts and I’m always trying to figure it out the truth before they do!

I enjoyed this very much!

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I enjoy this series. The author has come up with some clever twists and turns to the original Sherlock Holmes to make it an fun, and interesting set of stories. The sound engineering on this dramatized version is BAD. I can only assume that they hired someone's son or niece to do the work as no actual audio engineer would do such a terrible job. They played LOUD, jaunty jazz while the narrator (whom I thought did a good job, what I could hear of it) was speaking about murder. If you must put music in there it should be quiet, a background to the narration and not drowning the words to unintelligibility.

Get the non-dramatized version of the book

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