The Best Science Fiction of the Year: Volume One

De: Neil Clarke - editor

Narrado por: Amy Tallmadge, Jeremy Arthur

Duración: 28 h y 4 m

Resumen del Editor

To keep up to date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more - a task accomplishable by only the most determined and voracious fans. For everyone else, Night Shade Books is proud to introduce the inaugural volume of The Best Science Fiction of the Year, a new yearly anthology compiled by Hugo and World Fantasy award-winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor in chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome "sensawunda" that the genre has to offer.

Neil Clarke is the award-winning publisher and editor in chief of Clarkesworld magazine, winner of three Hugo Awards for Best Semiprozine, and the editor of the 2014 cyborg-themed original anthology Upgraded. Clarke lives in Stirling, New Jersey.

©2016 Neil Clarke (P)2016 Audible, Inc.

Reseñas de la Crítica

"This inclusive collection starts with Neil Clarke's introduction about the state of short science fiction in 2015. Each story begins with a brief author biography, with additional titles. Narrating duties are skillfully shared by Amy Tallmadge and Jeremy Arthur. 'The Murmuration' by Alastair Reynolds is movingly told by Arthur, who inhabits the story's scientist and his mixed emotions as he observes how starlings react to a sparrow hawk drone that they think is real. Yoon Ha Lee's 'The Cold Inequalities,' narrated by Tallmadge, is a passionate defense of books in the midst of a battle between librarians on an archive ship. The standout is 'Today I Am Paul,' by Martin L. Shoemaker. Arthur expertly portrays the android that cares for Paul's mother, Mildred, in her final days. Arthur's android touchingly 'pretends' to be Paul and significant others in Mildred's life to comfort her in this bittersweet story. Everyone should find something to enjoy in this varied collection." ( AudioFile magazine)

Great and Bad

The first half of the collection is disappointing. Very poor story telling. But, there are two or three phenomenal stories in the collection.

The narrators are generally poor. One younger female narrator is very poor and hard to listen to.

Few good ones

Damage by Levine my favourite. Violation of the True Net ... by Fujii coming second. Today I Am Paul by Shoemaker, Three Bodies at Mitanni by Dickinson, The Audience by McMullen, Calved by Miller and The Tumbledowns of Cleopatra Abyss by Brin decent and above average as well as the introduction by Clarke.

unconcluded stories in vogue

I don't know if it was just the editor's taste that has the anthology loaded so heavily with this brand sometimes frustrating sometimes imaginative unrealized conclusions, or that this style is in court. But I hope it played no part in story selection. What bothers me most about the hanging conclusions in many of these cases is that the authors felt it necessary to drone on about emotional quandaries faced by characters. When, if left unspoken, the reader could be left free to imagine these conflicts given the context. I don't understand why they choose to make such excessive explanations of obvious character dilemmas when they felt no need to fully flesh the finish. It is not that I dislike hanging conclusions, it is just that I don't like hearing/reading them repeatedly and with no clear device to make the conclusion exceptionally suspect. It just seems lazy.

Ok

Some stories incredibly confusing and boring. Not so much “best science fiction of the year.”

Good selection of different stories

I enjoyed the different timelines and stories compiled by this collection of short science fiction. would recommend.

Thought-provoking

A nice mixture of works by a nice mixture of authors. Made me think. Good read.

Annoying biographies before the stories

What did you like best about The Best Science Fiction of the Year: Volume One? What did you like least?

It's difficult enough to trust Amazon and Audible reviews to be written by actual customers. Now I'm restricted to answering specific pre-package questions. So the question for me is why bother? Maybe you will like this book and maybe you won't. Audible reviews will not help you answer that question. So spend your money and buy this product. That's the business model.

What does Amy Tallmadge and Jeremy Arthur bring to the story that you wouldn’t experience if you just read the book?

Voices.

Was The Best Science Fiction of the Year: Volume One worth the listening time?

All but the biographies. They did not port gracefully.

Any additional comments?

Maybe this is more the case with science fiction than other writing, but I did notice that the "tell" to "show" ratio was was wildly out of balance.

Patchy

My enjoyment was patchy from story to story and narrator to narrator.

I found some stories dealing with interesting concepts.

Mostly good stories

Would have like the book title and author in the chapter listing instead of numbers.

great short stories. could not follow only two.

a great way to spend my car journeys. i wished there were more such books.