
The Astaires
Fred & Adele
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Narrado por:
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Barbara Edelman
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De:
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Kathleen Riley
Before "Fred and Ginger" there was "Fred and Adele", a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance. In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins and early days as child performers on small-time vaudeville stages (where Fred, fatefully, first donned top hat and tails) to their 1917 debut on Broadway to star billings on both sides of the Atlantic. They became ambassadors of an art form they helped to revolutionize, adored by audiences, feted by royalty, and courted socially by elites everywhere they went. From the start, Adele was the more natural performer, spontaneous, funny, and self-possessed, while Fred had to hone his trademark timing and elegance through endless hours of rehearsal, a disciplined regimen that Adele loathed. Ultimately, Fred's dancing expertise surpassed his sister's, and their paths diverged: Adele married into British aristocracy, and Fred headed for Hollywood.
The Astaires examines in depth the extraordinary story of this great brother-sister team, with full attention to its historical and theatrical context. It is not merely an account of the first part of Fred's long and illustrious career but one with its own significance. Born at the close of the 1800s, Fred and Adele grew up together with the new century, and when they reached superstardom during the interwar years, they shone as an affirmation of life and hope amid a prevailing crisis of faith and identity.
©2012 Oxford University Press (P)2013 Audible, Inc.Listeners also enjoyed...




















Their personalities come alive in this audiobook and each is given their share of attention. Adele, especially, comes across as the more fascinating of the two: bold, comic and sparkling, while Fred was more serious, but the better dancer. At times, I felt an ache that I would never see the numbers described, such as The Whichness of the Whatness from Stop Flirtin’.
Their stories are continued past Adele’s retirement to a largely tragic life punctuated by lost children and tried by two alcoholic husbands, while Fred overcame initial doubts as to his future without her to go on to the more famous partnership with Ginger Rogers and his well-known detestation of it. (And their mother was a formidable offstage presence of what was really a trio both professionally and personally.)
The crisp and energetic reading by Barbara Edelman is a performance, with her adopting a distinct voice for every quote, right down to Fred’s first wife’s pronunciation of “r’s” like Spaceball’s imposing cleric who opens his mouth and utters “mawwiage.” This might not appeal to some. Even her normal reading voice is very expressive, with slightly ear-catching idiosyncrasies. The only slight complaint is that the contrast between her normal reading voice at times and the sudden, louder brashness of her other voices did not always make for even volume.
However, I confess I found it extremely charming, and did not at all feel it detracted from the material. I could listen to it again, having just finished it, for the pleasure of Edelman’s voice, which is at turns velvety and slightly quirky even when not quoting. (My wife overheard it and commented that she liked it, too.) It seemed particularly suited to the material.
Wonderful Story Beautifully Read
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for all fans of astaire
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I should have gotten a book solely about Fred
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Dull Story
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