Thanks for Waiting
The Joy (& Weirdness) of Being a Late Bloomer
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Narrado por:
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Doree Shafrir
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De:
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Doree Shafrir
“Thanks for Waiting is the loving, wise, cuttingly funny older sister we all need in book form.”—Tara Schuster, author of Buy Yourself the F*cking Lilies
Doree Shafrir spent much of her twenties and thirties feeling out of sync with her peers. She was an intern at twenty-nine and met her husband on Tinder in her late thirties, after many of her friends had already gotten married, started families, and entered couples’ counseling. After a long fertility struggle, she became a first-time mom at forty-one, joining Mommy & Me classes where most of the other moms were at least ten years younger. And while she was one of Gawker’s early hires and one of the first editors at BuzzFeed, she didn’t find professional fulfillment until she co-launched the successful self-care podcast Forever35—at forty.
Now, in her debut memoir, Shafrir explores the enormous pressures we feel, especially as women, to hit particular milestones at certain times and how we can redefine what it means to be a late bloomer. She writes about everything from dating to infertility, to how friendships evolve as you get older, to why being pregnant at forty-one is unexpectedly freeing—all with the goal of appreciating the lives we’ve lived so far and the lives we still hope to live.
Thanks for Waiting is about how achieving the milestones you thought were so important don’t always happen on the time line you imagined. In a world of 30 Under 30 lists, this book is a welcome reminder that it’s okay to live life at your own speed.
Los oyentes también disfrutaron:
Very enjoyable
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Relatable, refreshing, and highly entertaining!
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Reviewer- I. Stein
Extension of Forever35
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So Relatable
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I wish there was a way to critique the director, because i know Doree has the chops to knock the narration out of the park! She already has “her voice.”
But constructive criticism: the narration felt really slow-paced and monotoned. Even the parts where excitement should flow naturally, it felt as though Doree wasn’t allowed to use “her voice.”
To prove my point that she indeed has a great voice, listen to her read the end credits. She sounds bright, enthusiastic, no voice-fry…in other words, she sounds like Doree.
I have listened to dozens of other books read by authors who speak for a living, and their audiobooks sound like themselves. This one, not so much.
Again, i can’t help but wonder what stage directions were given. I guess if the goal was to maintain certain levels, and maintain an even and slow pace, well…mission accomplished.
But it really felt like Doree was done a disservice by not being allowed to use her own, professional voice that’s she developed over the years of speaking for a living.
Great book but director stymied the narrator
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