Straight to the Heart

De: Lynn Van Dorn

Narrado por: Michael Ferraiuolo

Ben is having a bad week

Life is never easy for Ben, but this week in particular has been the pits. You name it, it's gone wrong. What he needs is a prince to come and rescue him.

Simon has a bad heart

Forced to retire early as the CEO of his company because of his health, Simon is immediately bored. He needs a project, or a pet, or a very pretty man to rescue.

Together, they'll save each other

Once Simon has his hands on Ben, he doesn't want to let him go. But Ben knows that fairy tales aren't real and dreams never come true.

Or do they?

Straight to the Heart is a 79k sweet, low-angst MM age-gap romance with a swoony billionaire in his 40s, a much younger man who could really use some help, snarky staff, difficult mothers, amazing suits, and a lot of love.

©2023 Lynn Van Dorn (P)2023 Lynn Van Dorn

Adorable

The couple (Simon and Ben) was so sweet and adorable. I loved the storyline, the story pacing was just right, and the rest of the supporting characters were just right . They made laugh and made my heart hurt. Just right for a light hearted read.

Excellent Story!

This author's writing style is one of my all-time favorites! Solid storyline, depth of characters and relationship development, and perfect narration. Highly recommend!

Like a warm mug of sexy cocoa

Simon and Ben are a delightful couple, working out the already treacherous terrain of relationships while also navigating the even more complex disparities in their financial and social stations in life. This book is a love affair with Chicago at Christmas time, as well as a way of proving that age and money gap romances can be sweet and human without ridiculous shenanigans or evil exes used as lame foils. It's a story about adults who act like wonderful, flawed grown ups. The banter is fun, the tone is (mostly) light, and the ending is respectful of both the characters and the reader. Michael Ferraiuolo's performance is exceptional, and I appreciated that he flipped the script on intonation; the younger, smaller character has a lower voice, and that was a refreshing change. In certain respects, it bridged some of the differences between the two characters.