Sovok Audiolibro Por Kevin Hollis McKinney arte de portada

Sovok

The Memoirs of a Liar

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Sovok

De: Kevin Hollis McKinney
Narrado por: Jason Maniccia
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Described by one literary critic as "Jack Kerouac narrating the adventures of Thomas Pynchon's character, Tyrone Slothrop, only in Russia," Sovok takes you on a front-row view of the transition from Soviet Union to liberated Russia, and her return back to today's tyranny. McKinney describes his interactions for over 20 years with dissidents, billionaires, mob bosses, presidents, bureaucrats, and political leaders, while he constantly breaks laws and bends rules, as do most of the people he works with.

If this were a movie plot, it would be a blend of Grand Budapest Hotel, Wolf of Wall Street, Snatch, Eastern Promises, and Everything is Illuminated. By declaring himself a liar, the author prods the listener to question everyone and everything. Through personal stories, one of Sovok's central themes is that a network of loyal and moral friends can circumvent the strictest government regulations and defeat criminal syndicates. Sovok fits into dozens of book categories. The one category it is not is ordinary.

©2022, 2023 Kevin Hollis McKinney (P)2023 Kevin Hollis McKinney
Biografías y Memorias Crímenes Reales Histórico Crimen Rusia Memorias Wall Street Unión Soviética
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Kevin McKinney doesn’t just tell a story—he detonates one. Sovok: The Memoirs of a Liar drags you through the cracked concrete of post-Soviet decay and makes you feel every jagged edge. It’s darkly funny, brutally honest, and disturbingly human. The prose is soaked in irony and memory, like a confession made under flickering fluorescent lights.

The narrator’s voice fits perfectly—gravelly, cynical, and haunted, as if he’s seen too much but still can’t look away. What starts as a journey “en route to the USSR” becomes something stranger: an autopsy of identity, ideology, and the way lies become survival tools.

This isn’t just an audiobook—it’s an experience. You don’t listen to Sovok; you submit to it. And when it’s over, you’re left wondering which parts were fiction and which were just reality stripped of its polite mask.

A masterpiece for anyone who still believes truth can be found in ruins.

A raw, unflinching descent into the absurd machinery of the Soviet soul

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