
So Much Pretty
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Narrado por:
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Aimée Bruneau
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De:
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Cara Hoffman
Acerca de esta escucha
The Pipers are a family built on optimism. Claire and Gene move with their precocious, beguiling daughter, Alice, to Haeden, New York, for a fresh start. In doing so, they unwittingly rewrite the story of her life. Wendy White, a late-blooming young woman, mindful of family and home, has strong roots in Haeden. Her story has a beginning and an end, but is missing the most important piece: the middle. What happened to Wendy White?
Stacey Flynn is a reporter, both a seeker and a teller of stories. It is gritty, relentless, and ultimately reckless Flynn who will chronicle Wendy White’s existence from all the fragments she can find, and forge a path toward the end. But only we will ever know the whole story.
©2011 Cara Hoffman (P)2011 Dreamscape Media, LLCLos oyentes también disfrutaron...
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When the younger sister she thought was dead arrives on her doorstep, followed closely by a gun-wielding Russian gangster, a shady New York lawyer, and a desperate Connecticut housewife, ex-cop Shae-Lynn Penrose is forced to grapple with the horrible truth she discovers about her sister's life, and with an ominous question: Will her return result in a monstrous act of greed, or one of sacrifice?
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Reseñas de la Crítica
Lo que los oyentes dicen sobre So Much Pretty
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Barrel Racer
- 08-14-12
Good book ...
A little sad, but worth the listen. Liked the author and the characters and would listen to this author again.
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- bootsie
- 06-05-18
Everyone should read this book
Craft, story, analysis, and nuanced critique, all original and expertly synthesized. I’m thrilled and heartbroken (in the best way).
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- Livelightly
- 05-27-13
Just OK
I expected quite a lot from So Much Pretty and having read it now, I'm a bit let down. I think it would work better in print. The material is a melange of filed statements, one-person interviews, school essays, diary entries. They are dated, but skip around in time. I often wished I could go back and see where this bit fell in the overall plot "development" which I put in quotes because it was never developed, just finally conveyed enough information to get what happened. The narration was OK given those constraints. It had to be by a woman because the overall message is that men are bad, bad, bad.
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