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Narrado por:
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Kitty Kelly
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Joe Pitts
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De:
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Lucy Goacher
Acerca de esta escucha
They thought they knew what really happened—and each other. They were wrong.
Four years in, Stevie and Nate’s true-crime podcast, All the Gory Details, is forced onto hiatus when their conclusions in their first-ever episode, about the unsolved murder of teenager Lauren in their hometown seventeen years ago, are proven wrong. Their mistake ruined a life, and Stevie and Nate are still reeling from the consequences.
Still, when a fresh murder frighteningly similar to Lauren’s is brought to their attention, Nate is adamant that they should resurrect the podcast. He tells a hesitant Stevie that this is their chance to redeem themselves, and maybe even to solve the murder for real. But when Nate becomes fixated on the podcast above anything else, Stevie begins to wonder if she really knows Nate after all…
When a second murder changes everything, it suddenly seems as if Stevie is inside one of her own episodes. How well do either of them really know what happened back then—or each other?
©2023 Lucy Goacher (P)2023 Brilliance Publishing, Inc., all rights reserved.Los oyentes también disfrutaron...
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When Boady Sanden first receives the case of Elijah Matthews, he’s certain there’s not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah’s file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady’s own home.
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Love Eskins but not my favorite
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Well written psych-thriller!
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wonderfully suspenseful!
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The ending
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The ending
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Incredible story
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Plot twist!
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Originally, I thought this would just be run-of-the-mill terrible. Stevie is one of those protagonists that is so idiotic you wish they’d get murdered already so the book could end, but you know she’ll survive by sheer virtue of being the final girl. She was already grating on my nerves pre-chapter 1 (not a prologue, it’s “Episode 1”), but I kept listening because I was interested in the premise. But by chapter 5, the book leans hard into full-blown, over-the-top ludicrousness.
And speaking of “episodes,” the book is interspersed with episodes from the characters’ podcast. This format could have been a clever way of storytelling, but the episodes, had they been a real podcast, would have been lambasted as “cringe.” If you were to strip away the rest of the novel and listen to just the podcast episodes, the “hosts” come across as inauthentic, callous, and completely self-absorbed. And yes, the main characters are in fact all those things, but the idea that enough people would listen to their vapid musings for them to have a 4-year run with sponsorships is, again, hilarious.
I’m giving this 3 stars because the voice acting is good, and the book inadvertently made me laugh at how bad it is. Please don’t mistake my rating as a reflection of quality; it’s really that bad. But if you enjoy a campy hot mess, you may have some fun with this.
Hilariously terrible
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Mixed on The Ending
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Tone of book is a little too “depressing” or “somber”
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