Shakespeare in a Divided America
What His Plays Tell Us About Our Past and Future
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Narrado por:
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Fred Sanders
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De:
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James Shapiro
A timely exploration of what Shakespeare’s plays reveal about our divided land.
“In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London)
The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.
From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
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Inspired
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I’m not sure I get the author’s point. Maybe other reviewers do.
And the point is?
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Shakespeare Is Relevant to All times & Eras
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Brilliant and scary
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fascinating
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Never realized how little I knew about Shakespeare
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Excellent, Shocking
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Blows you mind
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That being said, the rest of the book is chock full of the history of American Shakespeare productions, actors and reviews. The author tries to keep the theme as a touchstone, but beyond the fact that Abraham Lincoln was a great admirer of Shakespeare, and John Wilkes Booth was an actor who played Shakespearean characters on stage, it never gains much purchase. Similarly, the accounts of Shakespeare in Love were interesting Hollywood history, but really never grapple with anything beyond the mores of the times. Namely, an original Stoppard screenplay attempting to be sexually groundbreaking (though even by today's standards it sounds thoroughly overwrought in the attempt), and the cringe-worthiness of Harvey Weinstein in the midst of the sexual politics inside and out of the production. The only divided America really presented is the decent, open-minded side, and the racist, homophobic, misogynistic side. The latter, which we already kind of knew, never really had any time for Shakespeare to begin with.
I vacillated between 3 and 4 stars for this book, as it is not truly great, and it didn't really fulfill its promise. But, as mentioned above, on its on merit it is quite informative, and frankly, the political bent of the author is fairly aligned with my own, and judgments about opposing opinions are fairly, if not entirely objectively, presented. So, I opted for 4.
Lots of American Shakespeare in search of a theme
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Does human nature change?
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