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One for the Road

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One for the Road

De: Wesley Southard
Narrado por: John Wayne Comunale
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Only one more show and heavy metal guitarist Spencer Hesston can finally quit Rot in Hell. No more touring, no more fighting, and no more unwanted advances from the lead singer's girlfriend. But instead of waking up the next day in their Midwestern hometown, the band finds themselves dazed and confused in an abandoned settlement in the middle of the desert, with no idea of how they got there.

Things are done a little differently out here: The trees have perverse urges, the spiders have human fingers, and every time they step outside the town transforms into a new hellish nightmare.

In this town anything is possible, except making it out in one piece....

Deadite Press is proud to present a new novella from Wesley Southard, a work of surreal horror sure to please fans of Silent Hill, Jacob's Ladder, and Lost Highway.

©2019 Wesley Southard (P)2022 Wesley Southard
Horror Aterrador Celebridad

Reseñas de la Crítica

Winner of the 2020 Splatterpunk Award for Best Novella

"A road trip through Hell in the spirit of Skipp and Spector's The Scream and Grady Hendrix's We Sold Our Souls. I loved it!" (Brian Keene, author of The Rising)

"Wesley Southard's writing thrums with uninhibited energy that's both infectious and entertaining. Discovering Wesley's work has been a joy, and you should seek out his books too. He's definitely a writer to watch." (Jonathan Janz, author of The Siren and the Spector and Exorcist Falls)

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El oyente recibió este título gratis

ONE FOR THE ROAD by Wesley Southard is a look at a metal band trying to make it big, one small club live show at a time. Things get very bizarro towards the end of the tour. John Wayne Communale is the perfect narrator for this story, very enjoyable listen.

Metal Up Your…

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El oyente recibió este título gratis

I am still new to audible so getting used to different styles of narration. This is narrated by John Wayne Comunale and he was great, one of my favourite narrators so far. Heavy metal, violence, gore it’s a must for any horror spatter fan. This was my 1st from Wesley but I will be adding more very soon!

Short and fun!

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A band full of jerks, burnouts, and freaks finds itself in a unique and fresh version of hell.

Great creatures, kills, and rock and roll, with really outstanding narration

Heavy metal hell

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A long time ago, I was in a metal band. Our drummer proudly proclaimed we were a “Death Metal” band.

We weren’t. No one with functioning ears would’ve confused us with Death, Cannibal Corpse, or Morbid Angel.

When I asked him why he insisted we were Death Metal, he said, “Because we mention death in our lyrics.”

Why am I telling this story?

Because this novella was recommended to me as Splatterpunk. It even won an award in a Splatterpunk contest, according to the cover. There’s just one problem:

This isn’t Splatterpunk.

Splatterpunk isn’t defined as “any horror story with graphic violence.” And honestly, I wouldn’t even call this extreme horror. Like my drummer, someone here is probably well-meaning, but ultimately misguided about labels.

Now, don’t get me wrong. There’s some solid R-rated violence. Think Evil Dead meets Alice in Wonderland: a weird, unpredictable world where everything seems to want you dead. But nothing here truly lingers. Nothing here makes you squirm days later or question your life choices.

So what does this story do right, and is it worth your time?

No spoilers.

The story follows a rock guitarist desperate to leave his metal band. (They’re a group of mostly scruffy, mean-spirited greaseballs.) Something goes wrong, and suddenly they’re not safe in their world… or even with each other.

Readers who enjoy unpredictability will find plenty to like. Rock and metal guitarists looking for a quick two-hour horror ride will probably have fun with it. The ending didn’t fully satisfy me, but that’s the harshest criticism I can level at the book itself.

Just don’t go in expecting Splatterpunk.

A short horror for guitar players

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