Once In A Great City
A Detroit Story
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Narrado por:
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David Maraniss
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De:
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David Maraniss
Detroit in 1963 is on top of the world. The city’s leaders are among the most visionary in America: grandson of the first Ford; Henry Ford II; Motown’s founder Berry Gordy; the Reverend C.L. Franklin and his daughter, the incredible Aretha; Governor George Romney, Mormon and Civil Rights advocate; car salesman Lee Iacocca; Police Commissioner George Edwards; Martin Luther King. The time was full of promise. The Detroit auto industry was selling more cars than ever before. Yet the shadows of collapse were evident even then as urban decline and racial tension simmered beneath the surface.
“Elegiac and richly detailed” (The New York Times), in Once in a Great City David Maraniss shows that before the devastating riot, before the decades of civic corruption and neglect, and white flight; before people trotted out the grab bag of rust belt infirmities and competition from abroad to explain Detroit’s collapse, one could see the signs of a city’s ruin. Detroit at its peak was threatened by its own design. It was being abandoned by the new world economy and by the transfer of American prosperity to the information and service industries. In 1963, as Maraniss captures it with power and affection, Detroit summed up the American Dream of prosperity that was already past history. “An encyclopedic account of Detroit in the early sixties, a kind of hymn to what really was a great city” (The New Yorker).
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Takes me back...
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Maraniss obviously loves his topic, but his reading leaves something to be desired. Expressing very little emotion, I often found my attention wandering because of Maraniss's monotone.
But I'm a Michigan native so the book was extremely relevant to me. I loved getting a detailed picture of that time in Detroit's history.
A heartfelt history of the Motor City
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Great read
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Great introduction to complicated city
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What did you love best about Once in a Great City?
All of the sub-stories that Maraniss chooses to portray one year in the life of a fascinating city.What aspect of David Maraniss’s performance would you have changed?
Perhaps it's a little TOO slow, given the pace of historical and cultural change that he's chronicling.More important, though, is his failure to use the past perfect tense in his writing. I've seen this trend taking over more and more current writing, and it can cause unnecessary confusion. When a story is already set in the past, using the simple past tense for actions that are jumping between two historical eras is lazy--and downright strange sometimes. (Example, not from this book: "When she entered college at age 18, she lived with her grandmother, who was a homecoming queen and campus beauty.") Huh?
Wonderful topic, problematic narration
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