Occulture

The Unseen Forces That Drive Culture Forward

De: Carl Abrahamsson, Gary Lachman - foreword

Narrado por: Micah Hanks

Duración: 7 h

Resumen del Editor

This audiobook explores the role of magic and the occult in art and culture from ancient times to today. It:

• Examines key figures behind esoteric cultural developments, such as Carl Jung, Anton LaVey, Paul Bowles, Aleister Crowley, and Rudolf Steiner
• Explores the history of magic as a source of genuine counterculture and compares it with our contemporary soulless, digital monoculture
• Reveals how the magic of art can be restored if art is employed as a means rather than an end and offers strategies to rekindle intuitive creativity

Art, magic, and the occult have been intimately linked since our prehistoric ancestors created the first cave paintings some 50,000 years ago. As civilizations developed, these esoteric forces continued to drive culture forward, both visibly and behind the scenes, from the Hermetic ideas of the Renaissance to the ethereal worlds of 19th-century Symbolism to the occult interests of the Surrealists.

In this deep exploration of “occulture” - the liminal space where art and magic meet - Carl Abrahamsson reveals the integral role played by magic and occultism in the development of culture throughout history, as well as their relevance to the continuing survival of art and creativity. Blending magical history and esoteric philosophy with his more than 30 years’ experience in occult movements, Abrahamsson examines the phenomena and people who have been seminal in modern esoteric developments, including Carl Jung, Anton LaVey, Paul Bowles, Aleister Crowley, and Rudolf Steiner.

Revealing how art and magic were initially one and the same, the author explores the history of magic as a source of genuine counterculture and compares it with our contemporary soulless, digital monoculture. He reveals how the magic of art can be restored if art is employed as a means rather than an end - if it is intense, emotional, violent, and expressive - and offers strategies for creating freely, magically, even spontaneously, with intent unfettered by the whims of trends, a creative practice akin to chaos magic that assists both creators and spectators to live with meaning. He also looks at intuition and creativity as the cornerstones of genuine individuation, explaining how insights and illuminations seldom come in collective forms.

Exploring magical philosophy, occult history, the arts, psychology, and the colorful grey areas in between, Abrahamsson reveals the culturally and magically transformative role of art and the ways the occult continues to transform culture to this day.

©2018 Carl Abrahamsson. All Rights Reserved. (P)2019 Inner Traditions Audio. All Rights Reserved.

Reseñas de la Crítica

“Occulture is one of today’s most learned, unexpected, and illuminating tours through occult cultural influences. Carl Abrahamsson will expand your doors of perception of what the counterculture really is. His chapter on Anton LaVey came to me as a revelation. I am filled with hope that a book like this can be published at a time like ours.” (Mitch Horowitz, PEN Award-winning author of Occult America and One Simple Idea)

“These days, too much occult discourse comes off as grandiose, needlessly arcane, or desperately darker-than-thou. But decades of participant observation on the art-magic-transgression beat have given Carl Abrahamsson a more down-to-earth approach. Streamlining Crowley, LaVey, and postpunk chaos magic, these talks and essays offer up accessible, pragmatic, and psychologically savvy takes on the intuitive potentials of creative individuation. This is not another ‘system’ but sparkplugs engineered for your own magical engine.” (Erik Davis, author of Nomad Codes and host of Expanding Mind podcast)

“A sharp, frank, and level-headed exploration of some of the most important figures and movements on the current edges of occultism. Highly recommended.” (Richard Smoley, author of Forbidden Faith: The Secret History of Gnosticism)

an interesting occult overview that I can't finish

the narrator for this book did a great job, and for the first half, I was hooked. they topic of the occult and culture is one I've long been fascinated with. I enjoyed the author's essays, especially the one that compared Crowley and Steiner. however, this is also when I began to feel uncomfortable, for even though abrahamsson did mention how Crowley's addiction was his undoing, he didn't demonstrate how addiction and occult practices are a recipe for dark magic. as the essays progressed to the church of Satan and the use of sex dolls for magical imagination, it became clear that he wouldn't label summer magic as dark. equating all magic as equal in it's impact to both practitioner and culture, without pointing out some forms, especially undisciplined firms, can lead to harm is to me, negligent. I stopped at 2/3 and moved on.

It's Alright.

This is a collection of essays by Carl Abrahamsson. It was OK. I was expecting something more profound but I wasn't disappointed and I wasn't bowled-over. Yep. That's about it.