Nightlife

De: Thomas Perry

Narrado por: Shelly Frasier

By turns horrifying and erotic, critically-acclaimed author Thomas Perry's new thriller takes us on a dangerous cat-and-mouse game that pits two women against each other: a beautiful serial killer and the detective who is determined to stop her.

When the cousin of Los Angeles underworld figure Hugo Poole is found shot to death in his Portland, Oregon, home, police find nothing at the scene of the crime except several long strands of blonde hair hinting that a second victim may have been involved. Hotel security tapes from the victim's last vacation reveal an out-of-focus picture of a young blond woman entering and leaving his room. Could she also be a murder victim? Portland homicide detective Catherine Hobbes is determined to solve the case and locate the missing blonde, but her feelings, and the investigation, are complicated when Hugo hires private detective Joe Pitt to perform a parallel investigation. As Joe and Catherine form an uneasy alliance, the murder count rises, and both realize that the pretty young woman in the security tapes is not a victim at all.

As Catherine follows the evidence, she finds herself in a deadly contest with an unpredictable adversary capable of changing her appearance and identity at will. Catherine must use everything she knows, as a homicide detective and as a woman, to stop a murderer who kills on impulse and with ease, and who becomes more efficient and elusive with each crime.

©2006 Thomas Perry (P)2006 Tantor Media, Inc.

Reseñas de la Crítica

"Nightlife is a smart, engaging read." (Bookmarks Magazine)
"Reinterpreting conventions and confounding readers' expectations with fascinating characters, this is Perry at his best." (Publishers Weekly)

Amazing. Just amazing.

Thomas Perry sure has cards up his sleeve. This book is a stand-alone. It bears some resemblance to the wonderful Butcher's Boy series, but not really all that many. The killer here is a woman, and the cop who tries to catch her is also a woman. The book revolves around the characters of these two women, one who keeps learning how to kill people smarter and more efficiently. The cop, Katherine Hobbes, has her hands full tracking Tanya (the killer assumes various identities along the way, so I'll arbitrarily call her Tanya). Tanya runs from Portland, OR to San Francisco to LA to several other cities, with cops trailing after her the whole time. At last, she circles back to Portland, where Katherine Hobbes lives, and where Tanya committed her first murder. At this point the plot quickens as the prey begins to stalk the hunter. By the end of this chase the tension is almost unbearable. I won't spoil the ending, but be assured that Mr. Perry still has marvelous tricks up his sleeve. Shelly Frasier is a great narrator. I have to confess that I favor male narrators, but this woman is good enough for me to open my mind to other women. She has a great sense of pacing, an excellent array of voices, the ability to get you caught up in the suspense and the skill to keep you with her all the way to the utterly unpredictable ending. I seldom say Wow at the end of an audiobook. Mr. Perry and Ms. Frasier, Wow.

good book weak ending

Oh I so agree with Evelyn! Very good book and the narrator did a great job, but the ending was, "what the heck?" I felt that maybe Thomas Perry didn't know how to end the book, ran out of paper, or he was at the end of his deadline to finish. I listened to the last chapter 3 times thinking I was missing something.

Fun!

This was a good book. Fun & Exciting!

Easy to follow

This book was easy to follow, and was interseting to listen to. It easily kept my attention. Good book.

Just what you want in a book like this...

I give this book four starts ONLY because the genre (detective fiction) really doesn't warrant 5, but this is top-of-the-line. My experience with Thomas Perry novels has been erratic. With other novels, I was charmed by his turn of phrase, humor and character development, but somewhere after the middle of the book, the plot fell to pieces and became irreparably dissolute. The endings to those books were ludicrous.

I'm happy to report that this isn't always the case. The reader, Shelley Frasier, does a great job, having a light, airy, feminine voice, applying a simple huskiness to voice male characters without sounding stupid. Her empathetic tone when voicing the thoughts of the female evildoer is astonishingly persuasive, and one finds oneself *almost* rooting for the killer in short, breathable pauses. The action is believable and the characters are brilliant. Perry has a great ear for comic dialog, and I'm forever jotting down phrases to use later.

The construction of this novel lends itself well to the audio format; although the action takes place in parallel stories as the detective tracks her quarry, and there are a number of flashbacks, the story is easy to follow and the characters easy to differentiate.

I was really happy with this cop drama and eager to hear more!