Le Morte D'Arthur

De: Sir Thomas Malory

Narrado por: Frederick Davidson

This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work that ever since has had tremendous influence upon literature.

The story begins with King Uther Pendragon's use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur's rule of Britain, Malory intertwines the romances of Guinevere and Launcelot, Tristram and Isolde, and Launcelot and Elaine. Sir Galahad's appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.

(P)1997 Blackstone Audio Inc.

Reseñas de la Crítica

"The most authoritative version of the legend in the English tradition." (The Concise Oxford Companion to English Literature)
"Le Morte d'Arthur remains an enchanted sea for the reader to swim about in, delighting at the random beauties of 15th-century prose." (Robert Graves)

Wonderful story and reading.

Would you listen to Le Morte D'Arthur again? Why?

Le Morte D'Arthur is an easy listen and I would listen to it again because these timeless tales are always entertaining.

Have you listened to any of Frederick Davidson’s other performances before? How does this one compare?

This book is just as great as other Frederick Davidson's readings. I don't know why some people do not like his voice, I find it great. Have you ever heard him read Les Miserabes by Victor Hugo...FANTASTIC!

Good Performance Boring Book

I enjoy classical literature, The Iliad, Aeneid, De Troyes Poems, and others, but Malory was a struggle. i started reading this over a year ago and was only.able to finish by switching.to an audiobook. Le Morte de Arthur is an impressive piece of scholarship and required reading for those interested in the Arthurian Mythos, but not well-written or engaging. Still, there's a captivating trait of the core of the legend that engages the imagination. To that, I can't say I enjoyed it, but I cannot say,I wouldn't recommend reading it.

Before weekly TV, radio & comics there was Arthur

What did you love best about Le Morte D'Arthur?

Le Morte is not just one story but many, not the first but one of the best compendiums of King Arthur's knights. The Roundtable was host to diverse knights with substantially varied personalities and types of adventures. A Sir Tristan tale and a Sir Gawain tale represent different mini-genres within chivalric romance.

What other book might you compare Le Morte D'Arthur to and why?

Le Morte is most like a collection of super-hero stories like the Avengers and the Justice League, representing the work of many different authors, versions of the characters, and evolving narratives.

Which scene was your favorite?

The Book of Sir Tristan is a personal favorite for its examination of uncertain truth, depressive madness, and broken love.

Frederick Davidson does a great job with a true cl

Any additional comments?

I really wrote this review because I was was nearly put off buying this audiobook because of the negative reviews of Frederick Davidson's narration. I'm glad I took the plunge. Davidson does an absolutely fabulous job with what is, after all, some challenging material. He makes it fresh and personal while preserving the formality of this old text. A triumph of literature (obviously) and of narration (contrary to the opinions of some other reviewers)!

Once a knight, always a knight...

Twice a night, and you're doing all right (so saith the Goodies). To deal with the narrator first, clearly he divides opinion, but I am a big fan of Mr Davidson. He was the reason I took this book on and he did not disappoint - his carried me through endless lists of jousting scores and left me always wanting more. To me he represents the best of England - deeply erudite, yet wearing his learning lightly, with diction that could cut diamond. To render Malory's early modern English in a way that is faithful to the text yet flows naturally for the modern listener is a formidable intellectual exercise as much as a dramatic performance - as a simple example, his reading of the common but tricky sentence "I will well" is a minor masterpiece in prosody and emphasis. To hear him dwell on the phrase "He knew her, fleshly" is to hear all the vice of Sodom and Gomorrah packed into four words. I also love his characterisation - young voices, old voices, Welsh, Scots, Irish, male, female, knight, priest, "damosel", and peasant, are all vividly and effortlessly differentiated. His crowning achievement (sorry) is the way Arthur evolves through the book from the likely lad to dying saint, while always recognisable as the greatest among Christian men.

As for the text, in addition to being the first prose masterpiece in the language, it offers so many golden nuggets of expression - including the word "bigly", which so many attribute to the current US President. On the downside, Malory, and his editor Caxton, are careless of the modern conventions of fiction - they throw spoilers in as a matter of course, and frequently "bury the lead". Also I'll admit I skipped a large part of the tale of Sir Tristram. However at times it reaches lofty heights of drama and pathos - the speeches of Sir Lancelot near the end ring with passionate resignation. On an scholarly note, it is also fascinating to hear how the pagan coexists with the Christian, and magic with divine grace.

One warning... as often happens during my listening, I found theme music constantly running through my head - in this case it was "Knights of the Round Table" from the movie Monty Python and the Holy Grail in alternation with "Camelot" from the musical of that name, so beware of that.