Killings

De: Calvin Trillin

Narrado por: Robert Fass

True stories of sudden death in the classic collection by a master of American journalism

“Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.”

These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him.

Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review).

Praise for Killings

“Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.”—The Seattle Times

“What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.”—Anatole Broyard, The New York Times

“Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.”—Edward Abbey, Chicago Sun-Times

“The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.”—Bruce Colman, San Francisco Chronicle

“[Trillin] writes brilliantly. . . . These stories still hold up, as classics.”—The Buffalo News

“In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.”—Frederick Iseman, Harper’s Bazaar

“I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings.”—The New York Times Book Review

“Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.”—Library Journal

“With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.”—Publishers Weekly

Reseñas de la Crítica

“Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.”—The Seattle Times

“What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.”—Anatole Broyard, The New York Times

“Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.”—Edward Abbey, Chicago Sun-Times

“The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.”—Bruce Colman, San Francisco Chronicle

“[Trillin] writes brilliantly. . . . These stories still hold up, as classics.”—The Buffalo News

“In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.”—Frederick Iseman, Harper’s Bazaar

“I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes, the hundreds of hours of Law and Order and its various offspring—oh, and the nearly eight-hour O.J.: Made in America and the ten or so hours of Making a Murderer. It’s time to pick up Calvin Trillin’s Killings.”—The New York Times Book Review

“Trillin’s subjects are diverse and poignant. Each story captures not only a physical setting but also the tone of the era in which it occurred. Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.”—Library Journal

“Violent deaths illuminate complex lives and desperate circumstances in this expanded reissue of the classic collection of the author’s true-crime reporting. . . . With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.”—Publishers Weekly

It's all about the everyday lives of victims.

It was a fantastic book for someone who is interested more in the people and their everyday actions that led to their demise. They do not concentrate on the gory details of the murder itself; but, the why and the surprise of some people's dark secrets.

Oh, To Hear Calvin's Cadence Once More.

Would you listen to Killings again? Why?

The writing is superb as always.

What did you like best about this story?

Just as the author writes about food, there is a tasty morsel in each story.

What didn’t you like about Robert Fass’s performance?

Mr. Fass's only flaw is that he is not he is not Calvin Trillin.

Any additional comments?

Well worth the listen. Had I not become enamored by the author's storytelling in his own voice, this book would have a 5 star review.

I was disappointed

I was really looking forward to this book and was very disappointed with the format and the story itself. It read more like a compilation of short stories that had no connection to each other. I was thinking that somehow would all be pulled together but it never was. It leaves the reader bewildered.