James

Winner of the 2025 Pulitzer Prize for Fiction

De: Percival Everett

Narrado por: Dominic Hoffman

'Truly extraordinary books are rare, and this is one of them' – Roddy Doyle

'His [Dominic Hofman] performance is terrific: variously wry, poignant and thoughtful as he imbues Jim with the humanity and agency denied to him by Twain' – The Guardian, Audiobook of the Week

James is a profound and ferociously funny novel from one of our greatest living writers, Percival Everett.

The Sunday Times Bestseller
Winner of the National Book Award for Fiction
Winner of the Andrew Carnegie Medal for Excellence in Fiction
Shortlisted for the Booker Prize
Finalist for the Orwell Prize for Fiction
Winner of the Pulitzer Prize for Fiction
Winner of The British Book Awards Fiction Book of the Year

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he flees to nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.

So begins a dangerous and transcendent journey along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise. And together, the unlikely pair embark on the most life-changing odyssey of them all . . .

A 'Book of the Year' in The Observer, The Times & Sunday Times, The Guardian, Daily Mail, Daily Express, The Spectator, New Statesman, Independent, TLS, The Daily Telegraph, Financial Times, i newspaper, The Economist, The Irish Times, The New York Times, TIME and The New Yorker

'Who should read this book? Every single person in the country' – Ann Patchett

'Scorchingly funny and action-packed' – The Sunday Times, 'Books of the Year'

'This may be Everett's best book yet' – Bonnie Garmus

'Playful and viciously comic' – The Telegraph, 'Books of the Year'

'My favourite novel this year' – Salman Rushdie

Reseñas de la Crítica

A captivating response to Mark Twain’s classic that is both a bold exploration of a dark chapter in history and a testament to the resilience of the human spirit (The 2024 Booker Prize Judges)

I&rsquo;m demanding that you read Percival Everett&rsquo;s novel <i>James</i>, in which Everett takes the camera from Twain&rsquo;s Huck Finn and hands it to the slave, Jim. Truly extraordinary books are rare, and this is one of them (Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha Ha)

<i>James </i>is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country (Ann Patchett, bestselling author of Tom Lake)

Pure brilliance. Funny, wise, gracious; this may be Everett's best book yet (Bonnie Garmus, bestselling author of Lessons in Chemistry)

Percival Everett is a giant of American letters, and <i>James </i>is a canon-shatteringly great book. Unforgiving and compassionate, beautiful and brutal, a tragedy and a farce, this brilliant novel rewrites literary history to let us hear the voices it has long suppressed (Hernan Diaz, Pulitzer Prize-winning author of Trust)

My favourite novel this year was <i>James</i> by Percival Everett. By giving the runaway Jim from <i>The Adventures of </i><i>Huckleberry Finn</i> his own voice (or voices) and his dignity &ndash; James, not Jim &ndash; he adds a dimension that&rsquo;s missing from the original, and, I think, improves on it (Salman Rushdie, The Observer, 'Books of the Year')

Scorchingly funny . . . A significant and exhilarating corrective to history, told in the most compelling of voices (The Sunday Times, 'Books of the Year')

Playful and viciously comic . . . <i>James </i>might be the book of the year and ought to have won the Booker Prize (The Daily Telegraph, 'Books of the Year')

Percival Everett&rsquo;s magisterial satire <i>James </i>[is] an essential rewrite of Mark Twain&rsquo;s <i>Huckleberry Finn</i> (The Guardian, 'Books of the Year;)

<i>James </i>is not just an imaginative retelling of Mark Twain&rsquo;s <i>The Adventures of Huckleberry Finn</i> (which gives voice and agency to the enslaved Jim) but a gripping and propulsive drama that takes readers on a familiar journey while challenging their preconceptions at every twist and turn (Financial Times, 'Books of the Year')

One of the novels of the year . . . [It] is both true to the original and turns it entirely on its head. Crackling with insight and wit (Daily Mail, 'Books of the Year')

It lives up to the hype!

I couldn't stop listening - even though some parts were quite sad. Very moving. I think it feels like a modern classic!

Brilliant book

Loved every minute. Didn’t want it to end. Some parts were hard to listen to but Percival Everett, as usual, tells the story so well.

What a book!

Reading James… man… so many quotables, so many poignant moments. I was making sounds like I was right there with him. I loved how simply Everett captures not just cruelty but the absurdity of slavery and racism. I’ve seen many describe the story as an adventure with some positive connotation and I have to disagree. Nothing adventurous about journeying so you can be free. Fantastic read

Modern take on The Adventure of Huckleberry Finn

Percival Everett loves Satire as well as writing about African Americans not as a caricature but nuanced and realistic but never stereotypically. James, a reimagining of the runaway slave Jim, has won the Pulitzer Prize and garnered multiple nominations in 2024 book awards. It defies being placed in anyone category with the picaresque style of the 1800s but also philosophical musings thrown into the narrative. James speaks impeccable English but can easily code switch to project the expected image when under the white gaze. In his adventures on the Mississippi River, Everett treats us not to boyhood dramas of Huck but to the very adult reality of slavery. Many of these events are truly horrific especially when compared to the story played out in the original. Though for the most part, this story fills in the gaps of Jim’s own adventures, this felt like post modernity bled heavily into the narrative without maintaining the religious dominance of the times and its influence. And this felt jarring especially when voiced by more than one slave.

While this is not a well executed book written by Everett, it is a provocative book despite the overinflated hype it has garnered. It exudes his sense for racial justice, and though anger could be justified , it also blinds to different perspective in light of abolitionists.