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I'm Just Dead, I'm Not Gone
- Narrado por: Sean Runnette
- Duración: 10 h y 28 m
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I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King.
With verve and wit, Dickinson (1941-2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording.
The blues, Elvis, and early rock 'n' roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Philips, Furry Lewis, Will Shade, and Howlin' Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler.
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Outlaw
- Waylon, Willie, Kris, and the Renegades of Nashville
- De: Michael Streissguth
- Narrado por: John Pruden
- Duración: 7 h y 37 m
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Waylon Jennings. Willie Nelson. Kris Kristofferson. Three renegade musicians. Three unexpected stars. Three men who changed Nashville and country music forever. Streissguth's new book brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Based on extensive research and probing interviews with key players, what emerges is a fascinating glimpse into three of the most legendary artists of our times and the definitive story of how they changed music in Nashville and everywhere.
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Revealing little-known Details does Captivate!
- De Cody Meyer en 11-20-17
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Liner Notes
- On Parents & Children, Exes & Excess, Death & Decay, & a Few of My Other Favorite Things
- De: Loudon Wainwright III
- Narrado por: Loudon Wainwright III
- Duración: 10 h y 29 m
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A memoir by the influential Grammy Award-winning singer and actor - son of journalist Loudon Wainwright, former husband of Kate McGarrigle and Suzzy Roche, and father of Rufus Wainwright, Martha Wainwright, Lucy Wainwright Roche, and Lexie Kelly Wainwright - a captivating meditation on relationships and creativity from the patriarch of one of America's great musical families. With a career spanning more than four decades, Loudon Wainwright III has established himself as one of the most enduring singer-songwriters who emerged from the late '60s.
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Best ever book for listening
- De Jeff Bernhardt en 10-29-17
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Me, the Mob, and the Music
- One Helluva Ride with Tommy James and the Shondells
- De: Tommy James, Martin Fitzpatrick
- Narrado por: David Colacci
- Duración: 7 h y 51 m
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Everyone knows the hits: "Mony Mony," "I Think We're Alone Now," "Crimson and Clover," "Crystal Blue Persuasion." They are nuggets of rock and pop history. However, few know the unlikely story of how these hits came to be. Tommy James had been performing in rock bands in the Michigan area since the age of 12. Prompted to record a few songs by a local disc jockey in 1964, Tommy chose an obscurity titled "Hanky Panky," which became a minor local hit that came and went.
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What a ride - excellent story, well told
- De Dave en 03-25-10
De: Tommy James, y otros
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Wild Tales
- A Rock & Roll Life
- De: Graham Nash
- Narrado por: Graham Nash
- Duración: 12 h y 33 m
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From Graham Nash - the legendary musician and founding member of the iconic bands Crosby, Stills & Nash and The Hollies - comes a candid and riveting autobiography that belongs on the reading list of every classic rock fan.
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The Best of the Recent Rock Biographies
- De Steven Schuster en 10-28-13
De: Graham Nash
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So Many Roads
- The Life and Times of the Grateful Dead
- De: David Browne
- Narrado por: Sean Runnette
- Duración: 15 h y 31 m
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No longer dismissed as relics of the hippie era, a new generation has lionized the Dead for creating a culture that paved the way for social networking, free music swapping, and the uncompromising anticorporate attitude of indie rock. Now, fifty years after the band first began changing rock 'n' roll both sonically and psychically, So Many Roads paints the most vivid portrait yet of the Grateful Dead, one of the most enduring institutions in American music and culture.
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Great first book on the Dead
- De robert en 10-30-15
De: David Browne
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1965
- The Most Revolutionary Year in Music
- De: Andrew Grant Jackson
- Narrado por: Peter Berkrot
- Duración: 11 h y 30 m
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During 12 unforgettable months in the middle of the turbulent '60s, America saw the rise of innovative new sounds that would change popular music as we knew it. In 1965: The Most Revolutionary Year in Music, music historian Andrew Grant Jackson (Still the Greatest: The Essential Songs of The Beatles' Solo Careers) chronicles a groundbreaking year of creativity fueled by rivalries between musicians and continents, sweeping social changes, and technological breakthroughs.
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Seems like a good overview
- De wylie smith en 01-12-23
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The One
- The Life and Music of James Brown
- De: R. J. Smith
- Narrado por: Kevin R. Free
- Duración: 14 h y 11 m
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Senior editor at L.A. Magazine RJ Smith saw his first book, The Great Black Way, win the coveted California Book Award. With The One, Smith profiles one of the 20th century’s most innovative musical icons, the Godfather of Soul himself, James Brown. Drawing on extensive research and captivating interviews, Smith chronicles Brown’s rise from abject poverty to the pinnacle of fame, while also detailing Brown’s work as a civil rights activist and entrepreneur.
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pitiable, lovable, despicable,understandable
- De Anonymous User en 01-06-13
De: R. J. Smith
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Everybody Wants Some
- The Van Halen Saga
- De: Ian Christe
- Narrado por: Fred Berman
- Duración: 9 h y 33 m
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How did a pair of little Dutch boys trained in classical music grow up to become the nucleus of the most popular heavy metal band of all time? What's the secret behind Eddie Van Halen's incredible fast and furious guitar solos? What makes David Lee Roth and Sammy Hagar so wacky? And, are all those stories about groupies, booze bashes, and contract riders true? The naked truth is laid bare in Everybody Wants Some - the real-life story of a rock 'n' roll fantasy come true.
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Good details of albums and post-1984 career
- De IndyMATT en 12-30-18
De: Ian Christe
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Traveling Music
- The Soundtrack to My Life and Times
- De: Neil Peart
- Narrado por: Brian Sutherland
- Duración: 14 h y 25 m
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The music of Frank Sinatra, Limp Bizkit, Linkin Park, and many other artists provides the score to the reflections of a musician on the road in this memoir of Neil Peart's travels from Los Angeles to Big Bend National Park. The emotional associations and stories behind each album Peart plays guide his recollections of his childhood on Lake Ontario, the first bands that he performed with, and his travels with the band Rush. The evocative and resonant writing vividly captures the meanderings of a musical mind.
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If your a music lover you'll dig this one
- De Jason Lessenger en 09-12-15
De: Neil Peart
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Power Chord
- One Man's Ear-Splitting Quest to Find His Guitar Heroes
- De: Thomas Scott McKenzie
- Narrado por: Fred Berman
- Duración: 8 h y 47 m
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Power Chord is the story of one man’s epic pilgrimage to gain rock enlightenment from the gods and guitar heroes of the Golden Age of heavy metal. Author Scott McKenzie set off to make contact with the legendary metal superstars he worshipped in his rural Kentucky youth - men like George Lynch of Dokken, Glen Tipton of Judas Priest, and Ace Frehley of KISS - hoping to gain wisdom and a better understanding of the electric guitar mystique.
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Such a fun read, especially for metal-heads
- De Jack en 04-01-23
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Your Band Sucks
- What I Saw at Indie Rock's Failed Revolution (But Can No Longer Hear)
- De: Jon Fine
- Narrado por: Jon Fine
- Duración: 10 h y 23 m
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Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.
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Life in a band-the ups, downs and truth!
- De C Christopher Taylor en 07-10-18
De: Jon Fine
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The Gospel According to Luke
- De: Steve Lukather
- Narrado por: Steve Lukather
- Duración: 10 h y 10 m
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In this incisive memoir, Steve Lukather tells the complete Toto story. He also lifts the lid on what went on behind the closed studio doors, shedding light on the unique creative processes of some of the most legendary names in music: from Quincy Jones, Michael Jackson, Paul McCartney, Stevie Nicks, and Elton John to Miles Davis, Joni Mitchell, Bruce Springsteen, and Aretha Franklin. Lukather’s extraordinary tale also encompasses the dark side of stardom and the American Dream. Frank, engaging, and often hilarious, The Gospel According to Luke is no ordinary rock memoir.
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Wow Best Rock Biography Ever
- De Hercules en 09-29-18
De: Steve Lukather
Lo que los oyentes dicen sobre I'm Just Dead, I'm Not Gone
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- Dubi
- 12-17-17
Memphis Music Man
I have to confess, I hadn't heard of Jim Dickinson before. I should have. I surely heard some of his work, knew some of it very well. But despite my wife calling me a walking talking Shazam, and my kids accusing me of being a music snob for loving deep cuts, I did not know Jim Dickinson. But his book looked good when I saw it on NetGalley, and now, as a music lover and a lover of music history, I'm better for having read it.
Dickinson grew up in Memphis at the time Elvis Presley and Sun Records were inventing rock 'n' roll, Stax was defining soul music with Otis Redding and Co., and blues guitarists young (B.B. King, Howlin' Wolf) and old (Furry Lewis, Bukka White, Memphis Minnie) were being discovered or re-discovered by a younger generation.
His memoir chronicles how the changing times and music influenced him to find a path in the arts, first trying to break into theater as a college student at Baylor in Texas, then in Memphis as the producer of theatrical and musical events (co-founding the original Memphis Country Blues Festival in 1966), trying to write novels, and finally focusing on music as a session player and record producer.
There is much made at the start about Dickinson not wanting this to be a There I was with Ringo memoir. So he spends a good half the book talking about his youth, when he was in and out of school, trying to find his way. This is really fascinating, especially when you get to see how a typical 50s-era southerner morphs into a beatnik-hipster-folkie type, searching out Blind Lemon Jefferson and learning what he can about other blues legends who had long been forgotten.
As interesting as it is, it started to feel like too much time, too much detail, for the formative years of a support player -- I don't know as much about the youth of John Lennon or Mick Jagger as I now do about Jim Dickinson. Then he gets to the point where he becomes a regular session guy for big name recording artists, first in Memphis, then in Miami, eventually in L.A.
That should be the heart of the book -- "How I helped record some of the great records of the 60s and 70s". A one-man Wrecking Crew. But there are only glimpses -- how Jim got Gregg Allman to hit the high notes on Midnight Rider, how he negotiated with Dr. John to play piano on Wallflower, how he landed the career-making piano part on the Rolling Stones' Wild Horses, how legendary recording engineer Tom Dowd gossiped him out of his job at Atlantic Records.
But for every one of those juicy tales, there are five stories with no juice at all, just a list of session guys who played on this song or that record, this from the guy who didn't want to namedrop big stars, repeating over and over names of players you never heard of before. And these seemed rushed -- after the long, overly-detailed biography of his early years, the most important part of his career goes rushing by too quickly.
Nevertheless, as a music buff, and as a musician with a huge interest in country blues, I enjoyed delving into the life of someone who was so much a part of it, getting to understand how the times had shaped him into a musician, how his career evolved through its heydey, and how Americana music as we know it today came together through the efforts of players like Jim Dickinson.
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- Christopher D. Lynn
- 03-22-24
Love the person Jim Dickinson was/is (thru his legacy).
I would have loved even more detail of all the stories & any info about the rest of his life. He skips from the 1970s to his kids band. What about all the punk bands & other cool stuff he was involved in? Fetishizing the early years getting established in the industry & ignoring the daily grind. It’s like the middle child raising years just didn’t even happen?
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