
Doctor Faustus
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Narrado por:
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David Rintoul
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De:
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Thomas Mann
Acerca de esta escucha
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.
Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."—The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods."—The New Republic
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- The Tales of Jacob
- De: Thomas Mann
- Narrado por: Mark Elstob
- Duración: 14 h y 30 m
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In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.
De: Thomas Mann
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Reflections of a Nonpolitical Man
- De: Thomas Mann, Mark Lilla - introduction/translator, Walter D. Morris - translator, y otros
- Narrado por: Graham Rowat
- Duración: 25 h y 10 m
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When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation.
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The most contradictory book by Thomas Mann
- De B JE en 12-30-24
De: Thomas Mann, y otros
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Thomas Mann
- New Selected Stories
- De: Thomas Mann, Damion Searls - translator
- Narrado por: James Anderson Foster
- Duración: 9 h y 17 m
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A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.
De: Thomas Mann, y otros
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The Christopher Marlowe BBC Radio Drama Collection
- Seven Full-Cast Productions Including Doctor Faustus, Tamburlaine & The Jew of Malta
- De: Christopher Marlowe
- Narrado por: Conn O'Neill, Kenneth Cranham, Paterson Joseph, y otros
- Duración: 12 h y 42 m
- Grabación Original
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Christopher Marlowe was most celebrated writer of his generation, surpassing even William Shakespeare during his lifetime. A playwright, poet, hellraiser, rebel and spy, he lived fast and died young, stabbed to death in a Deptford lodging house aged only 29. This definitive collection comprises all six of his groundbreaking plays.
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Marlowe wrote the plays - all of them
- De Charles Matheson en 12-06-22
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The Man Without Qualities
- De: Robert Musil
- Narrado por: John Telfer
- Duración: 60 h y 30 m
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- De Delano en 06-23-22
De: Robert Musil
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Faust
- De: Johann Wolfgang von Goethe
- Narrado por: Auriol Smith, Gunnar Cauthery, Stephen Critchlow, y otros
- Duración: 3 h y 58 m
- Versión resumida
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Faust is one of the pillars of Western literature. This classic drama presents the story of the scholar Faust, tempted into a contract with the Devil in return for a life of sensuality and power. Enjoyment rules, until Faust’s emotions are stirred by a meeting with Gretchen, and the tragic outcome brings Part 1 to an end. Part 2, written much later in Goethe’s life, places his eponymous hero in a variety of unexpected circumstances, causing him to reflect on humanity and its attitudes to life and death.
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Mixed Feelings
- De Kyle en 12-04-11
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Death in Venice
- A New Translation by Michael Henry Heim
- De: Thomas Mann
- Narrado por: Simon Callow
- Duración: 3 h y 9 m
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Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
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Brilliant gem
- De L. Fish en 09-18-04
De: Thomas Mann
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Wittgenstein's Mistress
- De: David Markson
- Narrado por: Madeleine Dauer
- Duración: 9 h y 31 m
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Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the listener as well that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy.
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The world is everything that is the case.
- De Meta-Stable en 12-25-24
De: David Markson
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Faust: Parts I & II
- De: Johann Wolfgang von Goethe
- Narrado por: Philippe Duquenoy
- Duración: 10 h y 49 m
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Faust has long been considered one of the most important works of European literature ever published. Johann Wolfgang von Goethe began writing Faust in the 1770s while still a young man, spending most of his adult life on the project. Faust was finally finished almost 50 years later, near the end of his life. Faust is a philosophical drama full of humor, satire, and tragedy. The demon Mephistopheles makes a bet with God that he can lure Faust from the path of good.
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Wonderful Performance
- De David Sanders en 03-15-18
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Faust: Parts 1 & 2
- De: Johann Wolfgang Von Goethe
- Narrado por: Adriel Brandt
- Duración: 11 h y 6 m
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Faust is a tragic play in two parts that reworks the late medieval myth of a brilliant but disillusioned scholar who makes a deal with the devil. Faust is considered by many to be Goethe's masterpiece and the greatest work of German literature. Part I sets out Faust’s despair, his pact with Mephistopheles, and his love for Gretchen. Part II deals with Faust’s life at court, the wooing and winning of Helen of Troy, and his purification and redemption.
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German Classic
- De J. E. Baker en 02-06-24
Lo que los oyentes dicen sobre Doctor Faustus
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- Jeremy Weinstein
- 12-25-24
Wonderful Narration of a Great Translation
Highly recommend. David Rintoul does a masterful job bringing this very complicated material to life.
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- jpiano
- 02-03-25
A performance well mach for such a master piece.
The reader is as good as it gets for the English translation. His superb understanding of the novel gives a this performance so much depth and lots of nuance. His voice has a resonance that very sensitive and train ears will welcom. I am very happy this rendition finally came to audio books. Well worth the waiting. ♡
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- Fantod
- 12-12-24
At long last! Absolutely essential
Finally we have a first-rate audiobook of Mann's late-period masterpiece. Rintoul provides a fine reading and John E. Woods' translation is excellent. For many years, we have not had this essential title available on audio — Ukemi's release is cause for celebration. Don't miss out on this one!
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- Jeremy Proctor
- 12-12-24
Extraordinarily written and voiced.
While this might not have been my favorite of Thomas Manns works, it might be his most important and personal. The connections between Germany and the sins of the third Reich are ones that we all must learn from, and take an honest look at our own lives in this new technological age.
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- Anonymous User
- 04-16-25
Worth it
An excellent audio recording. The Rintoul keeps the story telling lively, embodying the story’s narrator, Serenus Zeitblom, as he tells of the life of Adrian Leverkühn. The only difficulty of this recording is the one that all translated audiobooks face—namely, that one never quite knows how the foreign names read on paper, just the way they sound when read aloud. That said, I highly recommend both the book and this version.
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- Lipton101
- 02-13-25
Literary self flagellation
I can’t think of another novel that I’ve disliked as much as Doctor Faustus. I listened to all but three hours at the time of this writing. I’ll be finishing merely out of principle since I’ve already come thus far.
The Good: The narrator’s performance. He’s gifted with an incredible voice and gives an outstanding oration.
The Bad:
1. The faux-classic writing style. Doctor Faustus reads like a book written hundreds of years before its time. Hell, Von Goethe’s Faust is less antiquated at times!
2. NOTHING HAPPENS FOR FAR TOO LONG. The promise of the book is a lie - the single chapter that I enjoyed, in retrospect, seems like it was inserted into the novel at the 55% mark when the editor reminded Mann that his intention was to write a Faustian tale.
3. The digressions into obscure musical theory are tedious, self indulgent and… perhaps insecure? It almost seems like he writes those sections with an agenda. They don’t serve the story! It’s as though the author feels he has something to prove regarding his musical knowledge and is writing for an audience of one. They’re so woefully unnecessary, I label their inclusion as obscene. Where was the editor?!?
4. Horrendous dialogue. Awful chunks of long winded, irritating dialogue. There’s one monologue (not a lecture) that must’ve gone on for ten or more pages. Furthermore - every character sounds the same - as if they’re the same personality exchanging words back and forth.
5. I despise every character. I didn’t find redeeming qualities in any of the personalities on display. The main character lacks any motivation. And lastly, nobody does anything! Things kind of happen to them occasionally but your own life is more exciting and less mundane than most of the occurrences in this novel (with a few rare exceptions).
I’ve wasted too much damn time with this book. I hate it. I’m going to finish it, but I hate it.
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