Dear Life

Stories

De: Alice Munro

Narrado por: Kimberly Farr, Arthur Morey

A brilliant new collection of stories from one of the most acclaimed and beloved writers of our time.

Alice Munro’s peerless ability to give us the essence of a life in often brief but always spacious and timeless stories is once again everywhere apparent in this brilliant new collection. In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out.
While most of these stories take place in Munro’s home territory—the small Canadian towns around Lake Huron—the characters sometimes venture to the cities, and the audiobook ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories “autobiographical in feeling, though not, sometimes, entirely so in fact.” A girl who can’t sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.
Suffused with Munro’s clarity of vision and her unparalleled gift for storytelling, these tales about departures and beginnings, accidents and dangers, and outgoings and homecomings both imagined and real, paint a radiant, indelible portrait of how strange, perilous, and extraordinary ordinary life can be.

Reseñas de la Crítica

"It's no surprise that every story in the latest collection by Canada's Munro is rewarding and that the best are stunning. They leave the reader wondering how the writer manages to invoke the deepest, most difficult truths of human existence in the most plainspoken language. . . The author knows what matters, and the stories pay attention to it."—Kirkus, starred review

"Unreserved praise for the continued wonderment provided by arguably the best short-story writer in English today. . . On whatever level of reader familiarity Munro is working, in every story she finds new ways to make the lives of ordinary people compelling."—Booklist, starred review

"For the first time, Munro writes about her childhood, in the collection's final four pieces. . . These feature the precision of her fiction with the added interest of revealing the development of Munro's eye and her distance from her surroundings, both key, one suspects in making her the writer she is."—PW, boxed, starred review

"With her penetrating new collection, Alice Munro demonstrates once again why she deserves her reputation as a master of short fiction. . . "This is not a story, only life," declares the protagonist of the title narrative. With the subtlety and complexity of Munro's writing, it's hard to tell the difference."—Pamela Newtown, O Magazine

Poor narration CAN ruin an audiobook...

How could the performance have been better?

Each of the short stories in this collection is read by a man or a woman. Neither reader is very good. All male voices performed by the female reader sound the same, and the female reader's inflection was completely inappropriate -- even occasionally changing the intended meaning or preventing it from being understood. Unfortunately, this stood in the way of my enjoyment of the stories, as well as my being able to learn anything from them. Very distracting. It's a shame; Alice Munro is supposed to be the best.....

Munro is an outstanding short story writer.

I am an 87 year old Mid-westener who was surprised how Munro's craft drew me into her Canadian view of our mutual decades. She drew me into her stories like a trout is caught by master fly-fisher. Her lures seem innocent but they hide sharply barbed hooks.

Fantastic short stories

These short stories are beautiful. Filled with the beauty of life. The narration is excellent.

Disappointed in this book

Based on the reviews I was excited to start and listen to these stories. I was very disappointed. There is not one single passage or character that moved me or made me sit up and pay attention. I don't know who these stories do appeal to but they do not appeal to me. I did listen to the end but I don't know why.

Performance

The woman narrator is annoyingly “perky” at stretches, which can undermine the profundity of some of the stories. The male narrator of two stories was terrific. Maybe that was due to the stories themselves.

"Corrie" was the best storrie

Any additional comments?

Many of the stories had little plot, but instead pivoted on a small realization.
I liked "Corrie" much better than the rest of the story because it had plot, excellent characterization, and a pivotal realization.
However, there was something more - effective use of the Unreliable Narrator (she adopts Howard's POV early on to give the reader information stated as fact, then later adopts Corrie's POV to state contradictory information as fact) to suggest a resolution that was never actually stated.
***(SPOILER ALERT)***

Many reviewers conclude (as Corrie apparently did) that Howard had been pocketing the blackmail money that supposedly was going to Sadie.
Let's assume that Sadie received that money and donated it to the church to pay for the new steeple, which Howard was then paid to design and build.
Remember how the parishioners all thought that Sadie was "a rare person", and they all knew who Corrie was, even though she didn't know them?

The deeper irony is that the new steeple was directly counter to the philosophy and wishes of Corrie's now-deceased father, who had hired the architect in the beginning of the story, which was how Howard the architect and Corrie met.
Remember how Corrie's father despised modern church buildings, and hired Howard to build a traditional one?
So, ultimately, the father's money paid for a steeple he would have despised.

Bit too slow

Bit too slow and most of the stories had no real compelling theme. I don't want to be snarky, but a lot of the stories are about tragically boring lives. For me, the point of books is to transport you away from the mundane.

so so

This is my first experience with Alice Munro, which I chose b/c I figured someone who won the Nobel Prize is probably worth looking into. This collection did not knock my socks off. I'm encouraged by some comments here that suggest that there are other collections that do. I was also not thrilled with either narrator. I didn't feel their performances enhanced the stories, simply conveyed them.

Pleasantly captivating

Hard to put a finger on why her short stories are so engrossing. But I was captivated the entire time. The characters, the real inclinations they have and the observations each bar narrator makes are all experiences we wouldn't be able to absorb anywhere but Munro's words.

shimmering gems - jammed into too small a space

Would you say that listening to this book was time well-spent? Why or why not?

yup

What was one of the most memorable moments of Dear Life?

I would only say that I somewhat preferred the earlier stories to the final autobiographical notes.

Have you listened to any of Kimberly Farr and Arthur Morey ’s other performances before? How does this one compare?

I found her a bit limited. ALL of her men sounded the same. Not just voice but inflections. I actually found this a bit distracting. On a few occasions, I thought that her emphasis was misplaced. But generally acceptable.

Could you see Dear Life being made into a movie or a TV series? Who should the stars be?

oh for goodness' sake! who thinks up these questions?

Any additional comments?

Yes. Why in the world not leave at least 5 seconds between stories. I generally listen while driving - and frequently in the dark. So it's not that easy or safe to dive for the 'pause' button. A good short story - and these are - sometimes ends beautifully and abruptly, leaving the listener lost in thought. But no time for that here! We've got to push on to the next story pronto!!! Not even two heartbeats to absorb the ending.PLEASE reconsider this policy.