
Day of Atonement
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Obtén 3 meses por US$0.99 al mes

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Narrado por:
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Mitchell Greenberg
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De:
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Faye Kellerman
The runaway, Noam, is not traveling alone. A killer has taken him under his wing to introduce Noam to a savage world of blood and terror. And now Decker must find them both somewhere in America before a psychopath ends the life of a confused and frightened youngster whose only sin was to want something more.
©1991 Faye Kellerman (P)2008 HarperCollins PublishersListeners also enjoyed...




















Reseñas editoriales
This early Peter Decker/Rina Lazarus novels finds the couple newly married and honeymooning in Brooklyn during the High Holidays. When a teenage boy from an Orthodox family goes missing, Decker finds himself on the job again - with the trail of the boy and the young man he ran off with leading him back home to Los Angeles. Mitch Greenberg's performance is a wonderful match with the book - he delivers accurate Yiddish and Hebrew pronunciations and great local accents. Nice changes in tempo and pace when the action heats up and excellent voice modulation keep the listener plugged in to the story. For fans of the series, even if they've read the book already, this audiobook is a treat.
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family love
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An awesome first listen!!!
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The Jewish community and history easily fits in as part of the storylines. Each book builds upon the last but can stand alone. The problem with a standalone concept is the need to see what happens next. They are all that good!
Great ending!
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Good book
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Great story, Fabulous narrator!!
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Would you recommend this audiobook to a friend? If so, why?
not so much....What does Mitch Greenberg bring to the story that you wouldn’t experience if you just read the book?
good narration. easy on the ears.Any additional comments?
the writer, and many writers often introduce white and black people very differently... for example.... the white person gets, 'his large frame was imposing. He had steel blue eyes and short hair with a surfer bleach job. he wore a jc penny suit and had a deep voice.' the black person gets introduced like this.... "Joe was a black man with a full mustache and sensible shoes.' if you are going to list a skin color in the description of a person... do it all the time or perhaps dont do it. many writers do it... but with Fay, it is pretty bad. esp. in her earlier books. I have had to stop reading her books.undertones of racism
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Great Listen
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Part of the reason why I liked this installment more than the others is because of the language - the previous books were not just rude, that wouldn’t faze me at all, but crude. Book 4 was much tamer on that front so maybe the worst is over. (As far as my memory goes, there was a total lack of toilet-talk in Book 16)
The sporadic musical interludes are a little off putting, I think they must be left over from the original production and mark where one CD (or cassette) ended and the other began. Too bad it could not be edited out.
Better than the previous ones
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If it weren’t for the fish!
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Many different times in this book, I -- who thought I personally adored Peter Decker, thought Rina was the luckiest girl in the world -- found myself ready to murder Peter if he kept it up. Wow - what a dictator! Unlike in earlier or later books, Peter here is shouting orders, right and left, expects them to be obeyed. He's short-tempered, unhappy at being where he is -- which is in Brooklyn, being introduced to Rina's former inlaws, the parents/family of her first (and now deceased) husband. Should she have forced Peter into that trip -- which must indeed have been difficult? Maybe not -- or certainly not at a high-stress time like the High Holidays, and not for so long a visit. Perhaps he should have said no to that -- but whatever, it all brings out the worst in Peter. At one point, he even handcuffs Rina to the steering wheel of the car, so she can't get out to meddle when he goes off to investigate something. Should she get out to meddle? No, she shouldn't. He was right to try to keep her away -- but wrong for taking her along on a work errand in the first place.
It gets a little tiresome, actually, the back- and-forth: Rina would be trying to find a way to nose in on his job, Pete trying to find ways to keep her out -- but he always relents a little, and that's when the trouble starts.
The best thing about the first three books in this series is the relatively accurate picture they offer of an orthodox Jewish lifestyle. I think a lot of readers -- Jewish and otherwise -- enjoy that glimpse into a world they otherwise won't see for themselves, and it was good that this series presented an insiders story. But this book has a different story line that makes that difficult -- we've got a lost teenager, one who seemed "weird" even before he got lost, and then went way, way, way off the beaten path when he did, probably not very realistically. And of course the question of misplaced parenthood, which seemed a little forced too.
So? Not her best book, but worth reading, anyway, in the context of the whole story, which started in 1986 and continues to today. Quite a long run -- which is amazing, all by itself.
Early book, but not her best
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