Brave New World
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Narrado por:
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Michael York
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De:
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Aldous Huxley
Originally published in 1932, this outstanding work of literature is more crucial and relevant today than ever before.
“One of the most prophetic dystopian works of the 20th century”—Wall Street Journal
Cloning, feel-good drugs, antiaging programs, and total social control through politics, programming, and media—has Aldous Huxley accurately predicted our future? With a storyteller’s genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 AF (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
A powerful work of speculative fiction that has enthralled and terrified readers for generations, Brave New World is both a warning to be heeded and thought-provoking yet satisfying entertainment.
©1932 Aldous Huxley; 1998 BBC Audiobooks America (P)2003 BBC Audiobooks AmericaLos oyentes también disfrutaron:
Reseñas de la Crítica
"British actor Michael York's refined and dramatic reading captures both the tone and the spirit of Huxley's masterpiece." (AudioFile)
Featured Article: The top 100 classics of all time
Before we whipped out our old high school syllabi and dug deep into our libraries to start selecting contenders for this list, we first had to answer the question, "How do we define a classic?" The answer isn’t as straightforward as you might guess, though there’s a lot to be said for the old adage, "You know it when you see it" (or, in this case, hear it). Of course, most critically, each of our picks had to be fabulous in audio. So dust off your aspirational listening list—we have some amazing additions you don’t want to miss.
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Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.
And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.
Nightmare-Inducing (in a Good Way)
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Great Story, Distracting Narration
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A good recording
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Terrible
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Not the best as an audiobook
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