Black Swan Green
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Narrado por:
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Kirby Heyborne
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De:
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David Mitchell
Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award
From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.
Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.
Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.
Praise for Black Swan Green
“[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe
“[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time©2006 David Mitchell; (P)2006 Random House, Inc. Random House Audio, a division of Random House, Inc.
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“[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe
“[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
“[A] brilliant new novel . . . In Jason, Mitchell creates an evocation yet authentically adolescent voice.”—The New York Times Book Review
“Alternately nostalgic, funny and heartbreaking.”—The Washington Post
“Great Britain’s Catcher in the Rye—and another triumph for one of the present age’s most interesting and accomplished novelists.”—Kirkus Reviews (starred review)
“This book is so entertainingly strange, so packed with activity, adventures, and diverting banter, that you only realize as the extraordinary novel concludes that the timid boy has grown before your eyes into a capable young man.”—Entertainment Weekly
“[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
“[A] brilliant new novel . . . In Jason, Mitchell creates an evocation yet authentically adolescent voice.”—The New York Times Book Review
“Alternately nostalgic, funny and heartbreaking.”—The Washington Post
“Great Britain’s Catcher in the Rye—and another triumph for one of the present age’s most interesting and accomplished novelists.”—Kirkus Reviews (starred review)
“This book is so entertainingly strange, so packed with activity, adventures, and diverting banter, that you only realize as the extraordinary novel concludes that the timid boy has grown before your eyes into a capable young man.”—Entertainment Weekly
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Any additional comments?
Five stars to David Mitchell's unrelentingly real portrayal of one boy's 13th year. Jason Taylor is disturbed, eloquent, sweet, bawdy (in a 13 year old kind of way), unintuitive and unable to be anyone but himself. That last part is the trouble: no one accepts a 13-year-old who is true to himself, so he gets beat up on a regular basis. He has a rough time of it--an unrelenting stammer, a highly developed intellect which does not usually work in his favor, and a vicious internal life--he names his alter egos the Unborn Twin, Hangman and Maggot. But his talent for language (I know, ironic) and the picaresque episodes with unexpected allies put him in the driver's seat for the bildungsroman which is 8th grade. He emerges victorious, to take the challenges of 9th grade on--whether he wants to or not.Great intro to Mitchell's world: Black Swan Green
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A subtle coming of age story with one drawback, the narration.
If the lead character of a novel is a 13 year old boy please audible, pretty please hire an English actor.
The pronunciation of vowel sounds by this narrator are incredibly jarring. Pretty clearly an American doing an English accent and not all that badly EXCEPT for all of his vowel sounds!
Not being English also leads to the narrator woefully mispronouncing place names and butchering regional accents that are scattered throughout the book.
The narrators rhythm and acting skills are really quite good but he shouldn't be reading English characters without some guidance. Easier just to hire a Brit in the future, PLEASE!
You say Tomato
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I can't say enough good things about this book.
Captivating
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The narrator does a fine job of speaking and I found myself imitating the boy's voice at times.
You really feel for the character when his social life changes and (although not having experienced it myself) you can really empathize with the character.
One chapter of the book I found to be very boring; however, overall it was a good read.
You gotta stick with it for a bit
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Besides the magnificent writing, the narration is absolutely perfect! I feel like this is a book I would have enjoyed in written or audio form. That said, I'm glad I listened to it because the narrator bought the book to life for me in a way that I'm not sure I would have experienced reading it. I highly recommend it to everyone.
Everyone should read!
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