Bandit

A Daughter's Memoir

De: Molly Brodak

Narrado por: Emily Woo Zeller

Duración: 7 h y 17 m

Resumen del Editor

In the summer of 1994, when Molly Brodak was 13 years old, her father robbed 11 banks, until the police finally caught up with him while he was sitting at a bar drinking beer, a bag of stolen money plainly visible in the backseat of his parked car. Dubbed the "Mario Brothers Bandit" by the FBI, he served seven years in prison and was released, only to rob another bank several years later and end up back behind bars.

In her powerful, provocative debut memoir, Bandit, Molly Brodak recounts her childhood and attempts to make sense of her complicated relationship with her father, a man she only half knew. At some angles he was a normal father: there was a job at the GM factory, a house with a yard, birthday treats for Molly and her sister. But there were darker glimmers, too - another wife he never mentioned to her mother, late-night rages directed at the TV, the red Corvette that suddenly appeared in the driveway, a gift for her sister. In Bandit, Brodak unearths and reckons with her childhood memories and the fracturing impact her father had on their family - and in the process attempts to make peace with the parts of herself that she inherited from this bewildering, beguiling man.

©2016 Molly Brodak (P)2016 Tantor

Reseñas de la Crítica

"Undeniably compelling…An intelligent, disturbing, and profoundly honest memoir." ( Kirkus)

narrator wasn’t my favorite

Beautiful writing stands on its own, is powerful all on its own. This narrator didn’t seem to understand that, and tried to match her tone to the emotion of the scene, which was annoying and distracting at times.

Buy it -- you won't be disappointed

Any additional comments?

This is beautifully written and very hard to put down. You get hooked. I only wish the audio narrator were a little better. She seems to think that if a sentence contains the word "joy" then her voice must be in a rapture when she reads the word, or that she should growl when the subject of anger comes up. That may be a slight exaggeration, but she certainly should use less inflection and trust more in the writing and its ability to evoke the right emotion.In any case, the book is gripping and deep.

Sad but intriguing self analysis

I adored the narrator and I think she did a fabulous job of accents and holding the listener's attention. She is the best part of this book. The story of this author's life was overall okay from her prospective. But I'm a bit sad after hearing the details of her neglect and abuse. I feel she lacks accurate self reflection at some points of her life story. Knowing the author committed suicide two or three years ago makes me wonder how bad things could possibly have been to lead her to end her life at a still youngish age. She sounds pulled together after all she endured from how she decribes her life. I conclude she must have been very traumatized by her childhood and the bad far outweighed the good of her youth and haunted her. Or maybe mental illness took her down because genetics is stronger than we are as individuals and eventually wins out for better or worse. 💔 😔

life keenly observed

a fascinating look at youth, memory, family, and storytelling itself. one of those memoirs that critiques memoir while living up to the genre’s potential. the writer is a poet and therefore uses the subject of her life to muse insightfully on memory, money, addiction, forgiveness, love, loneliness, and emotional survival. once i started listening i couldn’t stop

one of the angriest books I have read

brodak's ambivalence — toward her father, toward family, toward happiness, toward writing itself, and toward this world in general — steams off of every page. The reader perceives her sense of betrayal in her confession that she's unable to enjoy any fictional depiction of family, whether positive or negative; and the restless thrust of her prose seems fueled by the wounded desire to break the cycle of love and birth in which we all are caught. Excellent chapters on gambling (and other types of addiction) as a replacement for the larger, more chaotic experience of cyclical time share the stage w/ a despairing, neurotically detailed pursuit of closure between her brain and the brain of her father. What's missing between her excavation of the past and her speculation on her father's imagination's frontier is a notion of a third path, one that moves forward w/ purpose, into th future. But then that is not her problem, alone

(The audiobook narrator doesn't do Brodak a favour by putting mustard on every sentence. calm down, Emily)

Recording is criminal

I cannot overstate how bad the voice actress is. I’ve read this book before and love Brodak’s whole body of work, so I thought I’d give this audiobook a try as a way to revisit this story. Oh my GOD. It is truly offensive— completely overacted, robbing the writing of its wry-but-lovable flatness. I’ve never left a review for basically anything my whole life, but this is making me feel insane. If you love Brodak or even just this book, safe yourself.