A Dangerous Language
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A Dangerous Language
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Narrado por:
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Rupert Degas
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De:
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Sulari Gentill
Acerca de esta escucha
Volunteering his services as a pilot to fly renowned international peace advocate Egon Kisch between Fremantle and Melbourne, Rowland is unaware how hard Australia's new attorney general will fight to keep the 'raging reporter' off Australian soil.
Add a disgraced minister, an unidentified corpse and an old flame who will not be denied and once again Rowland Sinclair stands against the unthinkable, with an artist, a poet and a brazen sculptress by his side.
©2017 Sulari Gentill (P)2017 W. F. Howes LtdLos oyentes también disfrutaron...
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Rowland Sinclair is an artist and a gentleman. In Australia's 1930s, the Sinclair name is respectable and influential, yet Rowland has a talent for scandal. He relies on the Sinclair fortune to indulge his artistic passions and friends: a poet, a painter and a brazen sculptress. Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution, but Rowland Sinclair is indifferent to the politics...until a brutal murder exposes an extraordinary and treasonous conspiracy.
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Reseñas de la Crítica
Lo que los oyentes dicen sobre A Dangerous Language
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total4 out of 5 stars
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Ejecución3 out of 5 stars
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Historia3 out of 5 stars
- Anniebligh
- 10-15-17
enjoying this series
While this is not Rupert Degas' best narration, it is still pretty good.
The writing of Sulari Gentill may at times seem a bit style driven and superficial, and still the story is addictive and good fun. For now 3 stars with an option to change my mind.
The bits of history, the news reports and such do place the story in time and puts attitudes in their place. At first I found the 'name dropping' annoying, now it makes sense
There was great writing in the 1930's and a lot of the historical cozy style stories appear to treat the past as quaint. Given Sulari Gentill's research into the time I think this quaint, over the top presentation is deliberate, and dare I say, without prejudice, "high camp" and meant to be a bit silly.The poking fun at stuffy respectability fits alongside the big political movements. With the horror and outrage.
My own vision of the 30's with the felt hats and sartorial finesse for men, the stylish caps and feathers with well fitting ensemble for women wearing gloves of course,does see the light of day here. The depression, the union movements are here too along with folk on the wallaby track.
The bottom line is these stories are just plain enjoyable.
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