
A Creative Rebel's Guide to Writing Amazing Fiction
A Creative Rebel's Guide Series, Book 2
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Narrado por:
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Meghan March
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De:
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Meghan March
Acerca de esta escucha
Creative flow has blessed me with thirty-nine novels that have collectively sold over 5 million copies, in sixteen languages, in under eight years, earning me over $10 million and over fifty spots on The New York Times, Wall Street Journal, USA Today, and foreign bestselling lists.
All of my dreams came true because I learned to write amazing fiction.
I wrote this book for the old me—the girl who had big dreams, but no real idea how to write the books she’d need to make those big dreams come true. I wanted to make it easier for her to get to where I am now by sharing what I learned along the way. I wanted her to be able to leap over the pitfalls where I stumbled, avoid the challenges that held me back, and glide past the emotional despair, mental anguish, and burnout I faced.
I wrote this book because my readers said that no one else writes books like me, and I thought … I bet I can teach some people how and humanity could benefit from better books being written.
Ultimately, I wrote this book because it was fun, and I enjoyed writing it immensely.
I hope you love it and that it helps you on your creative journey. I hope all of your dreams come true because you learn to write amazing fiction. Don’t ever underestimate where it can take you.
©2023 The Creative Rebel Company LLC (P)2023 The Creative Rebel Company LLCLos oyentes también disfrutaron...
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De: T Taylor
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Writing Your Story's Theme
- The Writer's Guide to Plotting Stories That Matter (Helping Writers Become Authors)
- De: K. M. Weiland
- Narrado por: Sonja Field
- Duración: 5 h y 48 m
- Versión completa
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General
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Narración:
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Historia
Theme—the mysterious cousin of plot and character. Too often viewed as abstract rather than actionable, theme is frequently misunderstood and left to chance. Some writers even insist theme should not be purposefully implemented. This is unfortunate, because in many ways theme is story. Theme is the heart, the meaning, the point. Nothing that important should be overlooked. Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs.
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Worth a second read or listen
- De Chris S. Manion en 02-17-22
De: K. M. Weiland
The layout of this book is so organized and Meghan really takes you step by step in order from Book Idea to Hitting Publish. It’s easy to follow and her advice is gold. It helped me so much in figuring out why I was stumbling around in my draft with no direction and she recommends key writing craft books, and personal tips to help you navigate the writing journey!
Even better, she dives into the mental side that comes with being a writer. The self doubt, fear, and struggles that cause most people to not finish their book and gives excellent advice on how to navigate these things and how to keep a positive mindset on the author journey.
She gives you all her keys to success in this book, and everyone who reads this will likely find something they needed to know!
A Step by Step Guide on Writing a Book That Every Author Can Use!
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Great Book For Writers!
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I love this book and I will never write a book
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Fantastic advice
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There were enough tidbits in here that I felt it was worth my time and worth a read. I highly recommend anyone thinking of picking up this book to do so, but to also pick up other books. Read enough of them and you’ll find the magic written between the lines.
Interesting
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I’ve read/listened to plenty of books and very few of them I find good and educational in writing such as Sol Stein. I also understand this is a book of “this is what I do” and so you should take what sticks to you, which is what she tells. If you’ve never read a book about how to write, I firmly believe you will learn from this book. I’m just a special case.
Again, I haven’t listened to the entire book, but I am a fan of when examples of great authors are included for areas such as dialogue, prose, etc. so I know how to improve my writing. In the 8 chapters I listened to, there wasn’t any examples from any other authors.
She may be an awesome writer, but I feel like this was a save the cat type of book, not a kill the dog book.
Hoped for more
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Don't buy this self-congratulating money grab
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“Writers are beggars that tell other writers where to find bread.” is another accurate description of this book. Though the author claims in the description that “I wrote this book because my readers said that no one else writes books like me, and I thought… well, I bet I can teach some people how…” she does not actually “teach” you anything. There is not enough actionable process information given here. I suspect that this is because as the author notes in chapter 6, “As an author who’s mostly absorbed story structure via osmosis through reading great books…“In other words, she has an internal knowledge of story structure but can’t articulate the process. Not common but also not unusual. There are A-list authors who also work this way and hit the NYT’s list regularly. I suspect they’d have difficulty writing a process focused craft book, too.
Meghan March’s Musings on Writing would be a far better title for this book as she spends her time sharing her thoughts on various aspects of storytelling. She tells you what you should do because this worked for her. She even tells you why. But she doesn’t tell you HOW. Instead, she often refers to really great writing books that will actually give you actionable information, which is nice, but she could list all of that on her website for free.
Take, for example, in chapter 12 where she talks about cliffhangers. She says they should be a gut-wrenching, but you shouldn’t go too far. Does she insert an example of what “too far” might be? Nope. She talks about how she bounces her ideas off of her “honest-to-God alpha male” husband. Love that for her, but it doesn’t help explore the subject in an actionable way. Here was a great opportunity to use one of her own 39 books and discuss an idea that went too far and was thus rejected for something else.
She also refers to a great cliff-hanger in a book by Aleatha Romig. She thought it was so incredible that she “taught” herself how to create cliff-hangers like that. She doesn’t tell us the details of the cliff-hanger (Ok, you don’t want to spoil the book), but she also doesn’t name the book the cliff-hanger is in (Romig has 115 titles per her Amazon page.) nor does she explain what she learned in terms creating these amazing cliff-hangers. (Did her editor not point all this out?) Taking examples from her own work to show the reader what she means and how her suggestions can be applied would really make the book a more useful tool. Show don’t just tell.
To be clear, I wasn’t expecting a manual on how to write just like the author. In the description she says “I wrote this book for the old me…I wanted to make it easier for her to get to where I am now by sharing what I learned along the way. I wanted her to be able to leap over the pitfalls where I stumbled, avoid the challenges that held me back…”. This is code for here’s a book with the things you should focus on and a list of books you should read that will be useful. Go forth and figure out the rest for yourself. That’s what your old self would have wanted? That’s fine, I suppose, but then don’t indicate in the description that in this book you are going to teach people how to write books like you because that’s not what this is.
What I was expecting was information that was detailed and actionable. Not here are my thoughts. Here’s why I think this, now go off and prosper.
Now, I do think the author does a good job of being encouraging and supportive about writing. She’s honest about the hard work but really stresses the importance of believing in yourself and putting in the work. I think that for someone who needs that kind of reassurance, it can be found in this book. And as others have noted in other reviews, there are nuggets of information that can be useful.
I can see how this book could have been really good had the author focused on creating a book that would give useful information that was informative and actionable. Really share what she knows as a writer who sold 10 million books as opposed to offering nuggets. Organize the book in a more cohesive linear way. A co-author with editorial experience could really have helped flesh this book out and make it a must-have for budding writers. Instead, I think there are much better books, certainly more useful ones, that would be a better use of your time.
That said, if after all I’ve noted you still feel a pull to this book, go for it. It may be useful for you as a guide of some things to dig into. But I can’t recommend this book in good faith.
Below is the list of some of her recommended books, and in my opinion, they are all must-reads for any aspiring writer. All are available on Amazon except for Passionate Ink, which seems to only be available as a used paperback.
GMC: Goal, Motivation & Conflict by Debra Dixon
Techniques of the Selling Writer by Dwight V. Swain
On Writing by Stephen King
Write Your Novel from the Middle by James Scott Bell
How to Write Dazzling Dialogue by James Scott Bell
Super Structure by James Scott Bell
Scene & Structure by Jack M. Bickham
Big Magic by Elizabeth Gilbert
Passionate Ink by Angela Knight
Where's the Bread?
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