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After escaping jail, William Bonney—a.k.a. Billy the Kid—is a seventeen-year-old orphan who’s been on the run for the better part of two years. All he wants is to belong, to find a place he can call home, and people he can call family.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices.

Berlin, 1919: Als Hans die junge Stiefmutter seines Schulfreunds Hellmut Quandt kennenlernt, ahnt er nicht, welche Rolle Magda in seinem Leben spielen wird – für ihn persönlich, aber auch Jahre später als fanatische Nationalsozialistin und Vorzeigemutter des Dritten Reichs. Noch ist die Weimarer Republik im Aufbruch und Hans hoffnungslos in Hellmut verliebt. Doch nach einem Unglücksfall beginnen Hans und Magda eine Affäre, von der sie sich Trost und Vorteile versprechen: Sie will aus ihrer Ehe ausbrechen, er seine Homosexualität verbergen.

When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything.

In 1919, as civil unrest grips the county, in a flourishing part of New York City called Harlem, something special is stirring. Here, the New Negro is rising and Black pride is evident everywhere…in music, theatre, fashion and the arts. And there on stage in the center of this renaissance is Jessie Redmon Fauset, the new literary editor of the preeminent Negro magazine The Crisis.

December 1952. While the young Queen Elizabeth II finds her feet as the new monarch, she must also find the right words to continue the tradition of her late father’s Christmas Day radio broadcast. But even traditions must evolve with the times, and the queen faces a postwar Britain hungry for change.

Ellen Russell embarks on the Ultimate Summer —two whole months without the stifling confines of work drudgery, school runs, or juggling the household's never-ending demands. This year promises the idyllic, laughter-filled summer of her dreams with her best friend, Hannah, and their Precious Moppets. But can a summer filled with wicker picnic hampers, vintage bicycles, and a sun-kissed trip to the in-laws' almost-chateau truly live up to The Vision?

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It’s October 1931. When Winnie Ruth Judd arrives at the Los Angeles train station from Phoenix, her shipping trunks catch the attention of a suspicious porter. By the time they’re pried open, revealing the dismembered bodies of two women inside, Ruth has disappeared into the crowd. The search for, and eventual apprehension of, the Trunk Murderess quickly becomes a headline-making sensation. Even the Phoenix murder house is a sideshow attraction.

A few years after the Wright brothers’ first flight, Bessie was working the Texas cotton fields with her family when an airplane flew over their heads. It buzzed so low she thought she could catch it in her hands. Bessie was fearless. She knew there was freedom in those wings.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex. Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling.

William Marshal’s prowess and loyalty as a knight in the English royal household has been rewarded by marriage to Isabelle de Clare, heiress to great estates in England, Normandy and Ireland. But their contentment and security is shattered when King Richard dies and is succeeded by his brother John, who takes the Marshals’ sons hostage and seizes their lands.

The spirited daughter of England's greatest knight, Mahelt Marshal, lives a privileged medieval life. But when her beloved father falls out with the volatile and dangerous King John, her world is shattered. The king takes her brothers hostage and Mahelt's planned marriage to Hugh Bigod, heir to nobility, takes place sooner than she expected.

12th century, England: A penniless young knight with few prospects, William Marshal is plucked from obscurity when he saves the life of Henry II's formidable queen, Eleanor of Aquitaine. In gratitude, she appoints him tutor to the heir to the throne, the volatile and fickle Prince Henry. But being a royal favorite brings its share of danger and jealousy as well as fame and reward.

An awkward misfit, nine-year-old Fulke FitzWarin leaves his family for the household of Joscelin de Dinan, Lord of Ludlow. Once there, he begins to learn the knightly arts which he desperately hopes will free him from the shadows of his past. Joscelin’s youngest daughter, Hawise, befriends Fulke when he most needs it. But as the years pass, an enemy to Ludlow changes their friendship unalterably, forcing them onto opposite sides of a cruel divide.

Cleo Jaffray was an American. A war in Europe had nothing to do with her. She told herself that right up until the man she loved went missing in Poland and Cleo was forced to turn to the only person who might be able to help—her aunt Daisy, the US Minister to Norway. Daisy Harriman has never shied away from a challenge, be it canvassing for women’s suffrage or driving Red Cross ambulances in WWI, so as only the second woman ambassador, she is determined to prove the naysayers wrong and succeed in her post.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty. But for Matilda, pride comes before a fall. And for Adeliza, even the deepest love is no proof against fate.