Próximamente

The year is 1980, and Mount St. Helens hasn't erupted in over one hundred years. Surely, it won't happen now? Volcanologist Nova "Cano" Kane is the first to volunteer when the rumblings start, even if it means she'll have to face her biggest regret. When Cano fled Seattle four years ago, she left behind the woman she's never been able to forget. Geology professor Dr. Allison Albright has spent four years learning to live with Multiple Sclerosis and without Nova. Now her ex has waltzed back into Allison's university and the tension between them is building like that inside the mountain.

It’s 1972, and eighteen-year-old tomboy Maeve O’Connor must win a photography contest to escape her suffocating, conservative family and attend her dream school in Manhattan. But where will she find arresting subjects? Why, a washed up old seaside resort called Asbury Park, New Jersey—a place where sideshow entertainers, strippers, carnies, artists, and alternative lifestyles coexist on the boardwalk in plain sight.

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

Forty years after the death of his uncle Désiré, Anthony Passeron decided to investigate his family’s past. Evoking the social climbing of his grandparents who became the local butchers during the period of great economic growth in France from 1945 to 1975, and the gulf that opened between them and their children’s generation, Sleeping Children weaves two stories: that of the appearance of AIDS in the early 1980s in a family living in the countryside near Nice, and that of the fight against the illness that was undertaken in a French hospital.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Cambridge, 2018. Ana and Luis's relationship is on the rocks, despite their many similarities, including mothers that both fled El Salvador during the war. In her search for answers, Ana uses The Defractor, an experimental device that allows users to peek into alternate versions of their lives. What she sees leads her and Luis on a quest through Havana and San Salvador to uncover the family histories they are desperate to know, eager to learn if what might have been can fix what is.