Coming Soon

In the vein of The Paris Wife and The Personal Librarian comes this debut novel, a magnificent work of “biographical fiction” that reimagines the turbulent and triumphant early years of Ella Fitzgerald, arguably the greatest singer of the twentieth century.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

Anthony Opoka and Florence Okori are coming of age in Uganda in the 1990s. Outstanding students, they believe in being good humans before they are kidnapped and forced into the fanatical Lord’s Resistance Army. In a legion of young recruits, no one gets closer than Anthony to powerful messianic warlord Joseph Kony and his darkest secrets. To stay sane as he spirals through chaos, Anthony clings to his childhood lessons about being a good human. Florence’s upbringing grounds her, too, helping her keep her dreams alive even as she’s pulled deeper into the insanity of Kony’s war.

This is Roman justice: Emperor Tiberius first dispatches a traitor—a friend he once trusted with the city—then the man's whole family and all of his friends. It is as if he never existed. Into this fevered forum, a child is born. His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is neither balm nor protection. Rather, it is a liability. Blood is easily spilled or poisoned. So swiftly corrupted. As the aging, paranoid Tiberius becomes blind to the ignoble end awaiting him, Agrippina sees the future.

In Seventeen, Friendship, and Swimming, Colombe Schneck orchestrates a coming-of-age in three movements. Beautiful, masterfully controlled, yet filled with pathos, they invite the listener into a decades-long evolution of sexuality, bodily autonomy, friendship, and loss.

Born from young King Henry's first marriage, his elder daughter, Princess Mary, is raised to be queen once it becomes clear that her mother, Katherine of Aragon, will bear no more surviving children. However, Henry's restless eye has a devastating influence on the young princess's future when he declares her a bastard and his marriage to her mother unlawful. In hopes of a male heir, he marries Anne Boleyn and banishes Katherine and Mary from the royal court. But when Anne too fails to produce a son, she is beheaded and Mary is allowed to return to court as the default heir.

Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty. But for Matilda, pride comes before a fall. And for Adeliza, even the deepest love is no proof against fate.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices.

12th century, England: A penniless young knight with few prospects, William Marshal is plucked from obscurity when he saves the life of Henry II's formidable queen, Eleanor of Aquitaine. In gratitude, she appoints him tutor to the heir to the throne, the volatile and fickle Prince Henry. But being a royal favorite brings its share of danger and jealousy as well as fame and reward.

In England, the Middle Ages are a time for ambitious men to prosper. Before he becomes the father of William Marshal, John FitzGilbert is a man of honor and loyalty, sworn to royal service. When the old king dies, his successor rewards the handsome and ambitious John with castles and lands. But King Stephen has a tenuous hold on his reign over medieval England.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex. Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling.

William Marshal’s prowess and loyalty as a knight in the English royal household has been rewarded by marriage to Isabelle de Clare, heiress to great estates in England, Normandy and Ireland. But their contentment and security is shattered when King Richard dies and is succeeded by his brother John, who takes the Marshals’ sons hostage and seizes their lands.

It’s October 1931. When Winnie Ruth Judd arrives at the Los Angeles train station from Phoenix, her shipping trunks catch the attention of a suspicious porter. By the time they’re pried open, revealing the dismembered bodies of two women inside, Ruth has disappeared into the crowd. The search for, and eventual apprehension of, the Trunk Murderess quickly becomes a headline-making sensation. Even the Phoenix murder house is a sideshow attraction.

New York, 1924. Born to English immigrants who've built a comfortable life, idealistic Alice Jones longs for the kind of true love her mother and father have. She believes she's found it with Leonard "Kip" Rhinelander, the shy heir to his prominent white family's real estate fortune. Alice too, is "white", though she is vaguely aware of rumors that question her ancestry—gossip her parents dismiss. But when the lovers secretly wed, Kip's parents threaten his inheritance unless he annuls the marriage.

The spirited daughter of England's greatest knight, Mahelt Marshal, lives a privileged medieval life. But when her beloved father falls out with the volatile and dangerous King John, her world is shattered. The king takes her brothers hostage and Mahelt's planned marriage to Hugh Bigod, heir to nobility, takes place sooner than she expected.

When Jackie is twenty-one, she meets the charismatic congressman Jack Kennedy at a dinner party in Georgetown. She is dreaming of France, of a life of freedom and adventure. She has won an internship at Vogue, and she thinks Kennedy is not her kind of adventure: “Too American. Too good-looking. Too boy.” And yet there is his intelligence, his humor and drive, and the chemistry between them. He pursues her, then disappears, then pursues her again in a pattern of intimacy and distance.

Into this fevered forum, a child is born. His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is no protection. The closer you are to the heart of the empire, the closer you are to power, intrigue, and danger. She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position. One mistake risks exile, incarceration, execution. Or, worst of all, the loss of her infant son.

The Colony Club has descriptive copy which is not yet available from the Publisher.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

An awkward misfit, nine-year-old Fulke FitzWarin leaves his family for the household of Joscelin de Dinan, Lord of Ludlow. Once there, he begins to learn the knightly arts which he desperately hopes will free him from the shadows of his past. Joscelin’s youngest daughter, Hawise, befriends Fulke when he most needs it. But as the years pass, an enemy to Ludlow changes their friendship unalterably, forcing them onto opposite sides of a cruel divide.