Summary
The Fountainhead, published in 1943, is Ayn Rand's breakthrough novel that catapulted her to fame and launched her career as a renowned philosopher. It tells the story of the innovative and uncompromising Howard Roark as he battles against societal pressures to conform. The novel explores themes of individualism, integrity, and the conflict between creativity and tradition.
Though it initially received mixed reviews, The Fountainhead went on to become a massive bestseller, selling over 10 million copies worldwide. It established Rand as a major cultural figure and attracted a devoted following for her philosophical ideas. The novel's influence has extended far beyond literature, inspiring architects, entrepreneurs, and political thinkers for decades. In 1949, The Fountainhead was adapted into a film directed by King Vidor and starring Gary Cooper as Howard Roark.
Plot
The novel follows the career of Howard Roark, a brilliant and uncompromising young architect. Roark is expelled from architecture school for refusing to design in historical styles, and struggles to find work due to his modernist approach. He takes a job at a granite quarry, where he meets Dominique Francon. They are attracted to each other, leading to a controversial sexual encounter.
Meanwhile, Roark's former classmate Peter Keating rises quickly in the architecture world by following popular styles and social climbing. Ellsworth Toohey, an architectural critic, launches a smear campaign against Roark. When Roark designs an unconventional building for Hopton Stoddard, Toohey convinces Stoddard to sue Roark for malpractice. Roark loses the case. Dominique marries Keating, believing she cannot have the world she wants where men like Roark are valued.
Newspaper tycoon Gail Wynand becomes interested in Roark's work and hires him to build a home. They become friends, though Wynand is unaware of Roark's past with Dominique, who is now Wynand's wife. Later, Keating asks for Roark's help designing a housing project, which Roark agrees to do anonymously. When the design is altered during construction, Roark dynamites the building to prevent his vision from being compromised.
At his trial, Roark delivers a speech about the value of ego and integrity in creative work. He is found not guilty. Wynand, who defended Roark in his newspapers, ultimately gives in to public pressure to denounce him. Wynand closes his papers and commissions one final skyscraper from Roark. The novel ends with Dominique visiting Roark at the construction site of this new building, having left Wynand to be with him.