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Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea.

Le chagrin conduit le cœur vers la littérature et la philosophie dans l’espoir d’y trouver une consolation, comme un enfant se réfugie dans les bras de sa mère. Mais les mots des autres ne consolent pas. Regarder la mort en face, n’est-ce pas constater notre condition d’êtres résolument inconsolables ? Qu’est-ce que ça change, vraiment, de perdre son père ? Sans croyance en un au-delà, que signifie l’ultime disparition de ce qui est ? Rien ne change, et pourtant le monde n’est plus le même. Il faut s’habituer à vivre dans un monde sans lui.

A standalone work of nonfiction by the bestselling author of Treacle Walker, Powsels and Thrums is a distillation of a lifetime of work. It blends family history, folklore, stories and poetry, bringing to life the language and landscape of Garner’s beloved Cheshire. Full of charm and insight, this book is a celebration of the writer’s life, values and language.

Scaachi Koul’s first book was a collection of raw, perceptive, and hilarious essays reckoning with the issues of race, body image, love, friendship, and growing up the daughter of immigrants. When the time came to start writing her next book, Scaachi assumed she’d be updating her story with essays about her elaborate four-day wedding, settling down to domestic bliss, and continuing her never-ending arguments with her parents. Instead, the Covid pandemic hit, the world went into lockdown, Scaachi’s marriage fell apart, she lost her job, and her mother was diagnosed with cancer.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre.

The Language of the Night is Ursula K. Le Guin’s first full-length collection of essays and criticism, with sections on her own background, on fantasy and science fiction, on writing, and on the future of literate science fiction. Each section is introduced with commentary by Susan Wood and the book contains a complete bibliography of Le Guin’s work (at the time of publication).

Offering answers to those questions and more through a mix of travelogue and social history, A Month of Sundays entertainingly charts the story of what author Daniel Gray argues is the People's Day. Told through Sundays whiled away in places from the Hebrides to Hyde Park – via Sunderland, Scarborough, Liverpool and beyond – Gray's latest book is a charming journey in time and place. A Month of Sundays offers nostalgia, people's history and affectionate, absorbing writing – a book drenched in the scent of gravy and summoning the faint sound of church bells.

Compiling Smarsh’s reportage and more poetic reflections, Bone of the Bone is a singular work covering one of the most tumultuous decades in civic life. Timely, filled with perspective-shifting observations, and a pleasure to read, Sarah Smarsh’s essays—on topics as varied as the socioeconomic significance of dentistry, laws criminalizing poverty, fallacies of the “red vs. blue” political framework, working as a Hooters Girl, and much more—are an important addition to any discussion on contemporary America.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

With consummate craftsmanship, Mary Oliver has fashioned fifteen luminous prose pieces: on nature, writing, and herself and those around her. She praises Whitman, denounces cuteness, notes where to find the extraordinary, and extols solitude. Nature speaks to her and she speaks to nature.

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential listening. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these insightful essays highlight Laymon’s profound love of language.

The Memory Palace is a collection of tiny, crystalline historical tales that come across like luminous short fiction, and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered.

Joan Didion es una de las cronistas fundamentales de la segunda mitad del siglo XX. En una edición a cargo de Claudio López de Lamadrid, Los que sueñan el sueño dorado reúne por primera vez en castellano una selección de artículos y ensayos de sus libros.

A collection of the year’s top food and travel writing, selected by the trailblazing New York Times bestselling author and Emmy-nominated host of Taste the Nation and Top Chef Padma Lakshmi. Author and host Padma Lakshmi selects the best twenty articles published in 2023 that celebrate food and travel.

Praised as “chaotic and vibrant” (Charles Yu), “visionary” (Sam Lipsyte), and “supremely original” (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner’s extraordinary career in all of its bizarre and infatuating glory.

Franzen über Franzen: Seine persönlichsten Erinnerungen. Jonathan Franzen hatte als Junge nicht nur vor Umkleideräumen und Quallen Angst. Zu Hause kam er sich wie Snoopy vor, der zwischen größeren Wesen einer anderen Spezies lebt. Wenigstens unter Gleichaltrigen wollte er dazugehören, also mied er auf einer Fahrt ins christliche Feriencamp den Bus des »sozialen Tods«. Von einer Österreicherin in irritierend kurzem Rock lernte er erste Brocken Deutsch, und bei seinem Versuch, seine Jungfräulichkeit zu verlieren, spielte Kafka eine Rolle – wie auch auf seinem Weg zum Schreiben.

In this debut essay collection, Laura Marris reframes environmental degradation by setting aside the conventional, catastrophic framework of the Anthropocene in favor of that of the Eremocene, the age of loneliness, marked by the dramatic thinning of wildlife populations and by isolation between and among species. She asks: how do we add to archives of ecological memory? How can we notice and document what's missing in the landscapes closest to us?

Award-winning environmentalist, author, and journalist Bill McKibben selects twenty science and nature essays that represent the best examples of the form published in the previous year.