This book defeated me, I am ashamed to say. I do most of my audio listening whilst driving, but this requires you too pay too much attention, and thu..Show More »s, while driving you lose important plot points, for two reasons:
1) There is a lot of tech within the book, and diluted time due to near-light speed travel on ships, and there is a lot of scene-shifting within chapters, which leads me to...
2) Other reviewers have alluded to it already, but it was a bad move not to have some sort of pause or audio-cue when scene-shifting between chapters. What happens is that John Lee (whose other stuff is ok, in my opinion), moves between scenes without taking a breath and you completely lose where you are whilst driving.
Shame I have to give it up, it's supposed to be a classic series. But them's the breaks.
A hard-edged but fascinating first-person mystery.
Another great story by Alastair Reynolds. Listened to the audio format of this one; as always, narrator John Lee does a FANTASTIC job of telling the s..Show More »tory, keeping the characters separate with his amazing variety of voices, and adding just the right touch of emotion and intonation at all the right times. And of course it's very pleasant to listen to, I still think it sounds just like Sean Connery reading the story. In short, I wish he was the narrator of a lot more audiobooks out there.
This one was a standalone book in Alastair Reynold's "Revelation Space" universe, which with each book shows off the depth of Reynold's universe and the planning he's put into it. This one is a standalone, and a prequel to the Trilogy proper that adds a lot of backstory. A bit darker and very much like a Noir mystery, it keeps you interested, and guessing, right up until the end. There was quite a bit of language in it as one might imagine from this type of story.
I am very glad he wrote this one from first-person viewpoint. I also rather enjoy the info-dumps that Reynolds puts into a lot of his stories - a plot device not used by everyone and even reviled by some, but I think it's necessary with stories of this complexity. Besides, they always appear at just the right moments and helps to avoid the frustration of wondering what's really going on that some authors make you go through.
I've gotten the three books in this series as well as Chasm City, a stand alone novel in the same universe. When reading these reviews, I notice many..Show More » negative comments, and I actually, at one point, probably written the same.
However, after quitting the first book, and focusing on books by other "british space opera" writers such as Peter Hamilton and Richard K. Morgan, I went back to give it another try.
I think what makes these books great is probably the same thing that turns some listeners off. The mythology of the universe is so deep, that until you are familiar with it, it is overwhelming with the references to the different factions, planets, aliens, etc.
But once that familiarity is gained, the stories are so rich, that I am disappointed that I have finished.
And as far as the narrator goes, it seems as though people either love or hate John Lee. But he is incredibly talented with a unique style and once you get use to him, his narration is addicting.
Reynolds again demonstrates why he is among the top of contemporary sci-fi writers. Readers familiar with the Revelation Space series will recall Chas..Show More »m City which was centered on the Yellowstone system. In that tale, surrounding the planet was a mass of space detritus known as the Rust Belt. Its state was the result of an undefined prior event known as the melding plague that destroyed nearly all nanotech. In Prefect, Reynolds sets the story prior to Chasm City when the Rust Belt was at its pinnacle and known as the Glitter Band. Encompassing 10,000 discreet and sovereign habitats, Reynolds explores the diversity and evolution of human societal organization (from voluntary tyranny to demoncratic anarchy). The conjoiners as well as Silveste remnants and the shrouders also play a small role.
Holding the hodge-podge together is our hero, Tom Dreyfus, a prefect who enforces the minimal rules for orderly interaction among the habitats. From what begins as a routine investigation, Dreyfus gradually peels back the onion of an ever expanding conspiracy that threatens the entire Glitter Band. Along the way, he must face, the corrupt, the gullible, the naive, and the idiotic, but he always manages to remain focused on his ultimate objective: seeing that justice is served.
As is typical of Reynolds, the sci-fi is first rate. He also has a knack for instinctively recognizing that unique interaction of science and society and the likely results. At the heart, the tale is an exploration of the human struggle to evolve beyond mere biology with all the potential pitfalls clearly displayed. Finally, as usual John Lee performs outstandlingly; his range of voices are superb and he sets the right tenor to allow the tension to develop.