Showing results by narrator "Zoe Trilsbach" in All Categories

Newly returned to Western Australia, journalist Amy Rhinehart pitches a crime podcast to increase her radio station's ratings. Her idea: to use the listeners of the show as its co-creators, with live-time calls and suggestion boards. The case: Jonah Scott, charged and imprisoned for life for the murder of his girlfriend, transgender woman Casey Williams.

Since she was sixteen, Willa's curious touchstone in life and work has been the 1993 film Much Ado About Nothing. She's always looking for The Feeling, the stirring in her heart—and loins—that she gets when watching the opening scenes. Now she's navigating her mid-thirties, her career as a romance publisher in an unusual family business, and her determination to remain child-free, while quietly holding out for a love as big as Beatrice and Benedick's.

Beatrix is a loner. She has a love-hate relationship with her one friend, Ray, a hate-hate relationship with everyone else in her office and a genuine attachment to a stuffed canary named Horatio. She drinks alone far too much. Lately she's been finding the edge of the railway platform dangerously seductive. Her life needs to change. Then she crosses paths with an old woman who seems to be stalking her, and that's exactly what happens. Eighty-something Fred is smart, earthy, funny and not the harmless elderly lady she appears to be. She is, in fact, quite literally something else. But what?

Meg and Nina are two sisters living very different lives. Meg is super organised and possibly OCD; Nina is so depressed she is living like a homeless person in her own flat and feels as though she has lost control of her life. As a result, she has become estranged from her family. But when Meg's repeated attempts to make contact with her eventually succeed, Nina can't refuse her request to head north with her and their younger sister Amber, whose drug addictions have torn the family apart.

Since she was sixteen, Willa's curious touchstone in life and work has been the 1993 film Much Ado About Nothing. She's always looking for The Feeling, the stirring in her heart—and loins—that she gets when watching the opening scenes. Now she's navigating her mid-thirties, her career as a romance publisher in an unusual family business, and her determination to remain child-free, while quietly holding out for a love as big as Beatrice and Benedick's.

Psykhe has always been different. Fair as Venus, the goddess of love, and with the hard-won ability to save the lives of those of mortal blood, she is both shunned and revered. When she unwittingly provokes Venus, she and her sisters lose everything. Psykhe must find a way to make amends and support her family. Befriended by an old woman, Nokturna, Psykhe finds herself irresistibly drawn to her young friend, Ambrose. But neither is what they seem.

Luna Lewis is white. But her friends aren't, nor are her brothers, nor her one-time Princess of Indonesia–finalist stepmother. After transforming from pudgy preteen to ‘exotic' beauty, Luna reinvents herself as ‘Luna Lu' and takes her ticket out of the most isolated city on earth. However, as her international modelling career approaches its expiry date, Luna must grapple with what she's sacrificed—and who she's become—in her mission to conquer the world.