Even the most unique and interesting characters will not engage readers if their journey - the plot - fails. In this audiobook, best-selling author William Bernhardt reveals the secrets that will keep readers riveted to the page. He explains the importance of matching character to plot and the key distinction between surprise and coincidence. Bernhardt discusses how to enrich your story by layering three levels of conflict and, in the final chapter, analyzes the primary plot structures that delight readers.
All fiction is character-driven, according to William Bernhardt, despite what you might have heard elsewhere. If your characters don’t interest readers, even the most exciting plots will fail. “Action is character,” Aristotle wrote, but what does that mean, and how can you use that fundamental principle to create dynamic fiction that will captivate readers? This audiobook explains the relationship between character and plot, and how the perfect melding of the two produces a mesmerizing story.
"Writing is structure,” William Goldman said, but too often aspiring writers plunge into their work without grasping this fundamental principle. Story structure is one of the most important concepts for a writer to understand - and ironically, one of the least frequently taught. In this book, New York Times best-selling author William Bernhardt explains the elements that make stories work, using examples spanning from Gilgamesh to The Hunger Games.
"Book is an Infomercial"
William Bernhardt explains the essential elements of breakout books, stories that reel in readers and attract serious attention. He discusses all the essential elements: originality, high stakes, believability, inescapable conflict, emotional appeal, and others. Plus, in the final chapter, Bernhardt explains how to turn your powerful premise into a winning pitch to attract agents and editors.
"Aspiring Writers: You Need This Entire Series"
Why do so many people talk about writing a book but never get the job done? Why do so many start books they never finish? And why is the final product often so much less than what editors and agents want? Because writing is a process, and no steps can be omitted without impacting the quality of the work. As best-selling author William Bernhardt explains, editing begins before you start writing and doesn't end until the book is in print (if then). This book guides writers through that process, explaining what's worth doing and when to do it.
Too often aspiring writers are frustrated by rejection, not realizing that the problem is not the story but the way they are telling it. In this audiobook, best-selling author William Bernhardt brings his down-to-earth approach to the subject of style, revealing everything you need to know to write with the art and craft of a seasoned professional. Bernhardt goes beyond memorizing rules to a fresh approach, a philosophy of writing that will transform your work and take it to a higher level.
"I hate this guy. He's an illusions smasher/master"
Dynamic dialogue can turn an otherwise ordinary novel into a delightful read, but dull, uninspired dialogue will cause readers to lose interest and try something else. In this book, bestselling author William Bernhardt, renowned for his handling of dialogue, explains his techniques for making characters come to life through their words. He explains the importance of matching character and dialogue, of avoiding dialogue that's “on-the-nose,” and the value of using dialogue to suggest what no one will say aloud.
"Excellent advice, brief and on-point"
Kincaid is in a meeting with the president in the Oval Office when Washington suddenly explodes into chaos. Facing an imminent threat to the White House, Kincaid is whisked, along with the president and his advisors, to the underground PEOC - Presidential Emergency Operations Center - built to withstand a nuclear blast, but vulnerable to another kind of attack.
"Waste of a credit"
This is a collection of three short stories involving lawyer Ben Kincaid and his friends and colleagues. In this short story, Ben Kincaid solves a Christmas mystery with his legal assistant, Christina McCall. Relations with Clyde Burris, the owner of the pawnshop next to Ben's law office, have always been frosty, but that doesn't stop Burris from asking Ben to investigate a Christmas Eve theft that turns out to have life-or-death ramifications.
Readers can open any page in this book at random and realize that William Bernhardt is a poet of the rarest kind - one who can communicate grace, humanity, and shared experience without the obscurity and obfuscation that sometimes causes people to avoid modern poetry. His everyman approach and direct language draws in readers who might normally never give a poem a second glance.