Showing results by narrator "Tom Phillips" in All Categories

Varangantua is in turmoil. After the district of Korsk is obliterated in a fiery cataclysm, the city’s enforcers must pick up the pieces. As sanctioner teams comb the wreckage for survivors, dogged probators such as Agusto Zidarov and Lycia Calix seek to uncover the truth about what happened. Their stories become intertwined with those of petty criminals and desperate citizens, even drawing the vaunted attention of agents beyond Alecto itself, painting a picture of sprawling conspiracy.

From the Satanic Panic to the anti-vaxx movement, it's always been human nature to believe we're being lied to by the powers that be (and sometimes, to be fair, we absolutely are). But while it can be fun to indulge in a bit of Deep State banter on the family Whatsapp group, recent times have shown us that some of these theories have taken on a life of their own—and in our dogged quest for the truth, it appears we might actually be doing it some damage.

We live in a “post-truth” world, we’re told. But was there ever really a golden age of truth-telling? Or have people been lying, fibbing, and just plain bullsh*tting since the beginning of time? Tom Phillips, editor of a leading independent fact-checking organization, deals with this question every day. In Truth, he tells the story of how we humans have spent history lying to each other - and ourselves - about everything from business to politics to plain old geography.

We live in a 'post-truth' age, we're told. The US has a president who openly lies on a daily basis (or who doesn't even know what's true, and doesn't care). The internet has turned our everyday lives into a misinformation battleground. People don't trust experts any more. But was there ever really a golden age of truth-telling? As the editor of the UK's leading independent fact-checker, Tom Phillips deals with complete bollocks every day.

In 21st century Britain, what does it mean to be working class? This book asks 24 working class writers to examine the issue as it relates to them. Examining representation, literature, sexuality, gender, art, employment, poverty, childhood, culture and politics, this book is a broad and firsthand account of what it means to be drawn from the bottom of Britain's archaic but persistent class structure.