Showing results by narrator "Niall Buggy" in All Categories

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual ­- though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story. Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories - of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice - the life of one man will be powerful and poignantly laid bare.

Best friends and worst enemies, Christy and PJ are destined to spend their lives together over the next 20 years in prison. Reflecting on the events and experiences that led them to the present day, this slow-burning tale explores hope, acceptance and forbidden love. Directed by Jim Culleton with music by Denis Clohessy, On Blueberry Hill is a powerful exploration of freedom, friendship and forgiveness. With outstanding performances from Irish Times Theatre Award and Olivier Award winner, Niall Buggy (Christy) and West End and Broadway star David Ganly (PJ).

An ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes of property and land. They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them.  

If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done? This is the story of Maurice Hannigan, an Irish farmer. Over the course of a Saturday night in June, he orders five drinks at the Rainsford House Hotel, and with each he toasts a key person from his life: his adored older brother; his troubled sister-in-law; his daughter of 15 minutes; his son far off in America; and his late, much missed wife.

It is time to leave, for another America: Chicago is wild and new, and newest of all is the music. Furious, wild, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong. His music is everywhere, coming from every open door, every phonograph. But Armstrong is a prisoner of his colour; there are places a black man cannot go, things he cannot do. Armstrong needs a man, a white man, and the man he chooses is Henry Smart.