The daughter of a Danish immigrant and a black G.I., Rachel survives a family tragedy only to face new challenges. Sent to live with her strict African-American grandmother in a racially divided Northwest city, she must suppress her grief and reinvent herself in a mostly black community. A beauty with light brown skin and blue eyes, she attracts much attention in her new home. The world wants to see her as either black or white, but that's not how she sees herself.
"Prompts You to Examine Cultural Stereotypes"
Orphaned and alone, Rachel is taken under the wing of her strict African-American grandmother and moved to a mostly black community where her light brown skin, blue eyes, and astonishing beauty start to attract a troubling level of attention. As the terrible secrets begin to emerge, Rachel learns to swallow her grief and construct her own self-image in a world that wants to see her as either black or white.
Told in alternating perspectives by a varied and vocal cast of characters, Nussbaum pulls back the curtain to reveal the complicated and funny and tough life inside the walls of an institution for juveniles with disabilities. From Yessenia Lopez, who dreams of her next boyfriend and of one day of living outside those walls, to Teddy, a resident who dresses up daily in a full suit and tie, to Mia, who guards a terrifying secret, Nussbaum has crafted a multifaceted portrait of a way of life hidden from most of us.
"Fantastic performances; moving and inspiring story"
When Helena Andrews heard this declaration on Saturday Night Live, her first reaction was How daaare you? But after a commercial break and some thought, she decided to poke at the stereotype that says "successful" and "bitch" are synonyms. Unafraid and frank, she comes to realize that being a bitch is sometimes the best way to be—except, of course, when it's not.
"A very good story"