Showing results by narrator "David Foster" in All Categories

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

The Preserve in Bath—the British Area 51—is the secret government dumping ground for all things supernatural and out of space. It is one of the most heavily-guarded places in the world. However, it's not what protects it that makes it so dangerous but the things that are inside...

For most couples, the marriage vows end with “‘Til death do us part.” But when Smoke Jensen takes Sally Reynolds as his lawfully wedded wife, it’s just the beginning. The tragic deaths of Smoke’s first wife and child weigh heavily on his heart. Thankfully, Sally is there to give him the support he needs when they return to Colorado, where it all happened. She’s ready to embrace her husband’s past—for better or worse—and to welcome his friend Preacher into the family. But when outlaws make an attempt to kidnap a local girl, Sally is forced to use the gun skills she had learned from Smoke.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

Stephen walked into the office which Barnabas was using as his judge's chamber. While the massive amount of data Bethany Anne’s team was throwing at him was more than enough to assuage his curiosity, he had never felt this way in the last one hundred and fifty-two years.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest, flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. To be an Elantrian was to be without sickness, without pain and without want.

The bear seems harmless—at first. Just a lost and confused grizzly poking around Big Rock. Then the killings begin. A horse wrangler is mangled. A rancher mauled. Then a bartender in the heart of town is found clawed to a bloody pulp. Now every man in Big Rock is taking up arms to hunt down the beast before it strikes again—which worries the local sheriff. He’s afraid this amateur hunting party could turn into a mass funeral real fast. So he asks Smoke Jensen to help keep everyone calm and contain the panic. Unfortunately, it’s too late. The panic is out of control. And the hunt is on.

Settling the American West required true grit, fortitude, and when necessary, shedding blood. It also required men like Preacher and MacCallister to enforce peace in a land where the law was scarce—and justice was delivered from the barrel of a gun. Wagon trains carrying immigrants along the Oregon Trail are falling prey to outlaws. Most families surrender their valuables and goods peacefully, but anybody brave enough to resist gets a bullet. The gang’s latest victim was a wagon master who sought to protect his charges only to die in the dust

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Crossing into Ogre country is dangerous when you're a polite, respectful gal. Which means we all know I'm in for a wild ride, despite the new backup I've brought along. Even when things start to go sideways, and enemies close on us from every side, I still believe we have the upper hand. How very blind can one person be when it comes to a salvage for a missing child? I'm about to find out.

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it's what Corporal Hicks calls a bug hunt - kill or be killed. Here are fifteen all-new stories of such "close encounters", written by many of today's most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe's most dangerous monsters, these adventures are guaranteed to send the blood racing - one way or another.

The child of a reputable family and a faithful son of the Church, Robert of Locksley had no intention of becoming an outlaw. But the relentless cruelty and tyranny by the elite nobility of England demanded that someone rise up to give answer. And so Robert of Locksley became Robin Hood, a man thrown into a fierce struggle to balance his deep faith with a call to action in a violent age. Featuring over 60 actors, cinematic sound, and original music, The Legends of Robin Hood is an exciting 12-part audio drama from the award-winning Augustine Institute.

Enlisted for a mission to retrieve the memory of a military satellite that’s been mistaken for an angel by in-bred locals, Ryan Cawdor and his companions head deep into the wild country of Kill Island, only to discover they are being pursued by an old foe harboring a deadly grudge. With enemies on all sides, Ryan and his allies rapidly run out of places to turn...and no way back. Meanwhile, Doc Tanner is offered a tantalizing possibility that could end his time with the companions forever.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. In a mutie-filled, irradiated wasteland, Trader and crew set out to find the scavvie Marsh Folsom. Stories going around say that Folsom has knowledge of an underground cache with a legendary bounty.

ARCHIE, one of the longest-running titles in comic book history, is rebooted here in this collection that brings together two of the most talented creators in comics, Mark Waid and Fiona Staples. Together they create a surprising and definitive take on Archie's origin—a story that has never been told. Meet America's favorite teenager Archie Andrews, his oddball, food-loving best friend Jughead, girl-next-door Betty and well-to-do snob Veronica Lodge as they embark on a modern reimagining of the beloved Archie world.